Coffy (1973) | The Godmother of Blaxploitation in motherf***ing HD
One of my Top Five re-releases of 2015 has to be Arrow’s Blu-ray release of Jack Hill’s 1973 thriller Coffy, one the best Blaxploitation films of the era, and the one that turned Pam Grier into a cinematic icon.
‘This is the end of your life you motherfucking dope pusher’
LA nurse Flower Child Coffin (Pam Grier), aka Coffy, goes on a one-woman mission to take down those responsible for turn her little sister onto heroine and putting her honest cop friend Carter (William Elliott) in hospital. Posing as a junkie hooker and a high-class Jamaican escort, Coffy works her way into the inner circle of drug-dealing pimp King George (Robert DoQui), where she finds the level of corruption is much closer to home than she expected…
Coffy was a godsend part for exploitation actress Pam Grier. Her baddass vigilante was a landmark in 1970s cinema and redefined what it meant to be a powerful black woman on screen. As the street wise and fiercely independent hard-working nurse who isn’t unafraid to put her body and her life on the line to exact her own form of justice, she was the perfect modern, revolutionary heroine. And Grier brilliantly brought her to life.
The American International Pictures actioner was also a career boast for B-movie auteur and director for hire, Jack Hill, who had previously lensed two ‘chicks in chains’ grindhouse movies (both with Grier), as well as the Lon Chaney Jr cult curio, Spider Baby, and also shot the US scenes for Boris Karloff’s infamous Mexican horror quartet.
When Cleopatra Jones, AIP’s female Shaft project, ended up being picked up Warner Bros, AIP put Coffy together in just 18 days in a bid to beat them to the punch. Director Hill certainly delivered the goods, as audiences really dug the film. A follow-up, Foxy Brown, quickly followed, again with Grier in the lead, and Hill directing – and it was just as good.
Despite it’s grindhouse veneer, Coffy‘s sex and violence isn’t done solely for cheap thrills. There’s a strong morale code running under the surface, while the racial issues it touches on reflected what was going on in 1970s America – and still does today, particularly in the light of those events in St Louis and Baltimore. But its Hill’s street smart script and tight direction that sets this Blaxploitation feature apart.
But Coffy is also pure entertainment, with some great ‘guilty pleasure’ moments that stay with you forever, like the call-girl cat fight scene and Coffy hiding razor blades in her Afro. There’s also King George’s wicked fashions (he also gets his own theme tune) and the funky R&B Roy Ayers soundtrack (which peaked at No31 in the US charts in 1973). Oh, and let’s not forget THAT poster, which Tarantino called ‘the epitome of a great exploitation poster’. Grier followed this film with AIP’s Scream Blacula Scream, which also available on Blu-ray (click on the link for my review).
THE BLU-RAY RELEASE
Arrow’s director-approved presentation features a restored HD transfer (which looks fantastic btw) alongside an audio commentary with Jack Hill. Among the new interviews on this release is A Taste of Coffy, featuring Hill on making the film (19min), and The Baddest Chick in Town!, in which Pam Grier discusses the films and her inspiration behind the character (17min). Also included is an academic video essay on the Blaxploitation genre, image gallery, and a collector’s booklet, with new artwork packaging by Gilles Vranckx.
• Foxy Brown, director Jack Hill’s follow up to Coffy, is also out on Blu-ray from Arrow, along with the director’s Spider Baby and Pit Stop, which are also on Dual Format (DVD and Blu-ray). Click on the links for my reviews.
Posted on December 29, 2015, in American International Pictures, Cult classic, Exploitation, Grindhouse, Must See, Must See, Must-See, Thriller and tagged 1970s crime thriller, 1970s exploitation, AIP, American International Pictures, Arrow Films & Video, Blu-ray, Coffy, Exploitation, Foxy Brown, Grindhouse, Jack Hill, Must See, Pam Grier, Thriller. Bookmark the permalink. Leave a comment.