Rashômon (1950) | Akira Kurosawa’s celebrated drama continues to fire the imagination

Rashomon (1950)Here’s another of my Top Five re-releases of 2015.

Deservedly taking an honorary Oscar as the most outstanding foreign language film released in the US in 1951, the compelling Japanese drama, Rashômon, ranks among director Akira Kurosawa’s masterpieces. It was the film that brought the director acclaim, established actor Toshiro Mifune as a star, and showed Western audiences just what Japanese cinema was capable of.

In feudal Japan, a bandit (Mifune), a dead samurai (Masayuki Mori), his wife (Machiko Kyō), a woodcutter (Takashi Shimura) and a priest (Minoru Chiaki) give varying accounts of an ambush, rape and a murder. But is anyone telling the truth?

Unfurling his tale of violence and greed through different eyewitnesses presenting contradictory narratives, Kurosawa skilfully examines the nature of truth and experience (basically don’t believe anything you hear), while also turning multiple flashbacks into an art form. A visual feast for the eye and ear, with strong leanings towards minimalism and the experimental, and featuring commanding performances, this is story telling at its most masterful and a hugely influential cinema classic that begs revisiting.

This slideshow requires JavaScript.

The BFI 2015 Blu-ray release features the film restored in high definition, with the follow special features…
• New audio commentary by Kurosawa expert Stuart Galbraith IV
Rashômon at 65 New 34-minute location documentary featuring interviews with former staff from the Daiei-Kyoto Studios
John Boorman on Rashômon (6mins)
• Illustrated booklet




About Peter Fuller

Peter Fuller is an award-winning print, radio and television journalist and producer, with over 30 years experience covering film and television, with a special interest in world cinema and popular culture. He is a leading expert on the life and career of Vincent Price and actively promotes the actor's legacy through publications, websites and special events.

Posted on December 31, 2015, in Must-See, World Cinema and tagged , , , , , . Bookmark the permalink. Leave a comment.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: