The Night Evelyn Came Out of the Grave (1971) | The Gothic giallo cult gets a definitive re-release
A cacophony of crazed, cruel, camp characters, cockamamie plot, killer soundtrack, kaleidoscopic visuals and cool 70s fashions and furniture, Emilio Miraglia’s 1971 Italian giallo horror thriller, The Night Evelyn Came Out of the Grave, is one helluva ride.
For decades, the only way to see the film was in dreadful pan and scan VHS and DVD releases or in butchered TV edits, which denied fans the chance of witnessing Miraglia’s visual treat in all its eye-popping splendor. But Arrow’s restored 2K release has gore-geously redressed this, bringing genre fans the definitive version of the compelling Eurotrash cult favourite.
The scenario (co-written by Massimo Felisatti, Strip Nude for Your Killer) is typical giallo, filled with planet-sized plot-holes and ridiculous red-herrings, but Miraglia fuses it with Gothic horror devices that turn the whodunit into a dark fairytale: like an S&M version of Roger Corman’s Tomb of Ligeia meets Jean Cocteau’s La Belle et la Béte on an acid trip.
Set in an England that looks like Veneto, Italy (basically because that’s where the film was shot), La notte che Evelyn uscì dalla tomba (to give it’s Italian title) centres on wealthy aristocrat Alan (Anthony Steffen), who has turned into a psychotic killer of redheaded prostitutes and strippers as a result of his late wife Evelyn cheating on him. In a bid to control his urges, his doctor convinces him to remarry another redhead (go figure), called Gladys (Marina Malfatti – who passed away aged 76 this week). But Alan’s mental state unravels when Gladys raises his suspicions that Evelyn faked her death to elope with her mystery lover.
What happens next is either inspired lunacy or just outright crazy… depending on how you like you giallo. But it does involve Evelyn’s ghoulish return (as promised in the original film posters), a cage of foxes chewing on intestines, someone being bitten by a deadly snake, and lots of nipple shots.
However Miraglia’s pièce de résistance is a real doozy of a climax involving a white-tiled modernist pad smeared in the blood of two knife-wielding redheads – oh, and a pool of sulphuric acid. And bringing all of this together is Bruno Nicolai’s evocative soundtrack which is so lush and hypnotic, you’ll be searching the internet for a copy as soon as the end credits roll.
THE ARROW FEATURES
When it comes to these heavily dubbed Euro thrillers, it is always a challenge deciding which audio track to choose. The Arrow Video 2k release has both Italian and English soundtracks as options, with new English subtitles on both. I tried the English first, but frankly hated the fake posh accents, so went back to Italian, which is way more preferable.
Giallo specialist Troy Howarth supplies an informative audio commentary, while writer Stephen Thrower shines a light on the film’s production history. There’s also a new interview with Erika Blanc, who elaborates (quite theatrically) about her big scene in which she rises from a coffin bum first; and an archival interview with Blanc (in which she says basically the same things). But my favourite extra is an archival interview with Lorenzo Baraldi, the art director responsible for the film’s fab 70s stylings. In my book, he’s the film’s real hero.
The Night Evelyn Came Out of the Grave is a dual format release available from Arrow Video as part of their Killer Dames box-set.
Posted on June 6, 2016, in Cult classic, Giallo, Horror, Must See, Must See, Must-See, Psychological thriller, Thriller and tagged 1970s Italian thriller, Anthony Steffen, Arrow Films & Video, Emilio Miraglia, Erika Blanc, Giallo, Killer Dames, La notte che Evelyn uscì dalla tomba, Marina Malfatti, The Night Evelyn Came Out of the Grave. Bookmark the permalink. Leave a comment.