Psychomania (1973) | The British black magic biker flick roars back into mirthful mayhem in high definition
Let’s face it, 1973’s Psychomania is seriously daft! But this bizarre British exploitation oddity is also the only Surrey-set satanic frog-worshipping zombie biker flick ever to be made in the UK. Now it’s about to raise hell amongst horror aficionados again as the BFI brings it back from the dead for a re-mastered 2k dual format release.
Set its own warped version of Walton-on-Thames where pram and shopping trolley-pushing suburbanites live cheek to cheek next to a ancient pagan site where legend has it that a coven of witches were turned to stone, Psychomania (I have no idea why its called that either) finds real-life motorbike fan Nicky Henson (taking time out from treading the boards at the Young Vic) donning his own leathers and revving up a clapped out AJS to head up The Living Dead, a group of posh-sounding Hell’s Angel’s types with a penchant for tie-dye, crochet knitted tops, multi-coloured name patches and singing mournful folk songs.
Bored shitless in suburbia, where the only fun they get is in knocking down cereal boxes at the Hepworth Way Shopping Centre, Nicky’s medallion man makes a pact with the Devil in return for the secret of immortality, commits suicide, then returns from the grave. Soon his gang (who come off like Eric von Zipper’s Rat Pack in the Beach Party movies) are following their leader in order to create more Beano-esque mischief down at the shops.
Sounds silly, doesn’t it? Well that’s what makes this black magic biker flick from director Don Sharp (who also helmed the Fu Manchu movies and the Tony Randall comedy Our Man in Marrakesh for Harry Alan Towers) so much fun. Plus there’s Beryl Reid as the high mistress of comfy sofas and veteran Hollywood actor George Sanders casting a long shadow as the ghoulish guardian of a big toad that possesses arcane powers (no idea why, either!).
Their scenes take place in what looks like a showroom for the crème de la crème of 20th-century chair design (some I spied in Taschen’s 1000 Chairs), and it’s also the setting for some improvised waltzes between Reid and Henson and some ridiculous straight-faced dialogue, like ‘I’m dead, Mother, but apart from that, I couldn’t be better!’.
And if that’s not enough to wrap your laughing gear around, wait until you see the dead coppers lined up inside the mortuary cool boxes (that ended up in Space 1999) and the wonky prison-set where Doctor Who’s Sergeant Benson (John Levene) presides. There’s also guest appearances from the like of Robert Hardy, Bill Pertwee and future EastEnder June Brown (who would follow this movie with David Hemming’s Jack Wild drama, The 14).
Mind you, the action sequences (which all take place on the newly built M3) are terrific and more than once did I find myself shouting ‘OMG’ at screen as those spluttering bikes narrowly missed coming a cropper; while a sequence involving Hatchet (Blood on Satan’s Claw‘s Denis Gilmore) jumping off a bridge in front of a oncoming Commer van is a standout. Playing one of the suicidal bikers is Britain’s oldest stuntman Rocky Taylor, who has worked on everything from James Bond to Harry Potter.
Topping it all, however, is the soundtrack by Donovan’s former arranger, composer John Cameron. A mix of 1960s pre-punk garage, doom-laden psychedelia, and blaxplotation-infused funk, peppered with ecclesiastical organ sounds and early prog. – it belongs in every film buffs soundtrack collection. And makes a fitting companion to this new BFI release, which is a must have.
Sadly, this was the final feature for 65-year-old George Sanders. The Hollywood legend, who had made a career out of being a cad in classics like Rebecca, The Picture of Dorian Gray, and The House of the Seven Gables, committed suicide on 25 April 1972 in Spain – and some say this was the last thing he ever saw…
• Newly re-mastered in 2K and presented in the original aspect ratio (1.66:1), with optional subtitles.
• Return of the Living Dead (2010, 25 mins): featuring interviews with stars Nicky Henson, Mary Larkin, Denis Gilmore, Roy Holder and Rocky Taylor.
• Sound of Psychomania (2010, 9 mins): interview with composer John Cameron.
• Riding Free (2010, 7 mins): interview with singer-songwriter Harvey Andrews.
• Interview with Nicky Henson (2016, 14 mins): who recalls his time on the film (much of which is a repeat of what he says in the 2010 featurette).
• Hell for Leather (2016, 8 mins): Short film about the company who supplied the film’s costumes.
• Remastering Psychomania (2016, 2 mins):
• Discovering Britain (1955, 3 mins) Fantastic vintage travelogue, narrated by the celebrated poet, about the Avebury stone circle.
• Roger Wonders Why (1965, 19 mins): Amateur film which sees two Christian biker youths visit the 59 Club, and meet its founder Reverend Bill Shergold. You have to stick with it to understand why its included here.
• Original theatrical trailer.
• Wilson Bros Trivia Track (2016, 91min, onscreen text): in lieu of an audio commentary, this is a hilarious subtitle trivia track, and works a treat.
• Collector’s booklet with new writings on the film; plus full film credits.
Posted on September 25, 2016, in British Film, Exploitation, Horror, Must-See and tagged BFI, Black Magic, British Film, British Horror, Cult, Exploitation, Horror, Must See, Nicky Henson, Psychomania, Satantic. Bookmark the permalink. Leave a comment.