Multiple Maniacs (1970) | John Waters’ outrageously offensive Cavalcade of Perversion restored and on Blu-ray
Who knew that after nearly five decades in the cult underground, one of John Waters’ early homemade ‘celluloid atrocities’ would end up sitting alongside the works of Sergei Eisenstein, Ingmar Bergman and their kind? Well, his gloriously grotesque second feature Multiple Maniacs has achieved that rare feat thanks to an amazing restoration by Janus Films, who first brought world cinema to the American masses, and The Criterion Collection, who are now bringing their fantastic releases into the UK.
“Glorious . . . Can only be described as The Passion of the Christ on Quaaludes.”
The Hollywood Reporter
“Even the garbage is too good a place for it.”
Mary Avara, Maryland Board of Censors
Waters’ anarchic spoof on gore movies starred Divine (in his fourth Waters film) as Lady Divine, the crazed impresario of a performance art freak show in conservative Baltimore whose troupe of counterculture misfits use the show to rob their patrons.
When the sociopathic Lady Divine goes on the run after killing the latest arrivals to her debauched show, she’s sexually attacked by glue-sniffers and has anal sex in a church with a woman (Mink Stole) sporting a set of rosary beads before going on to commit more acts of atrocity – including devouring the internal organs of her ex-lover Dr David (David Lochary) who she kills for having an affair with another woman (Marty Vivian Pearce).
But the death of her prostitute daughter (Cookie Mueller) finally sends Lady Divine over the edge, resulting in her being raped by a giant lobster [spoiler alert!!!] before the National Guard take her out on a busy Baltimore street.
Made on a shoestring budget (funded by mum and dad Waters) and at the home where Waters grew up, Multiple Maniacs has become the transgressive director’s highest rated films (says Rotten Tomatoes) and an anarchic masterwork that the Pope of Trash has longed to see get a proper release.
After a screening of the last-ever 60mm print during a retrospective at Lincoln Center in New York in 2014, representatives of The Criterion Collection approached Waters about doing a restoration. Asked if he wanted to keep the film exactly as is, with all the mistakes included, Waters told them, ‘Are you kidding me? Make it look good!’ Having removed all the splice marks and dirt, Waters now describes his ‘celluloid atrocity’ as looking akin to ‘a bad John Cassavetes movie’. Joking aside, the restoration is truly astonishing given the film’s DIY nature – it was shot on an Arcon 0627 camera using reversal black and white film with the sound being recorded on a magnetic strip at the same time.
So did he go too far? Well, according to an interview he gave to The Guardian following a screening of the restored version, Waters said: ‘Of course I went a little too far! I did look at that rosary sex scene, at the people around me, and I could see the young audience in disbelief. At the same time, I think, how did I get away with this? How did any of this happen? Part of it was a time capsule. A very accurate picture of what my sense of humour, and what my friends were like at the time, which might scare some people. And in some ways, they should actually be scared of us.’ (1)
THE CRITERION COLLECTION RELEASE
• New 4K digital restoration, supervised by director John Waters, with uncompressed monaural soundtrack on the Blu-ray
• Audio commentary featuring Waters (Getting the lowdown on the movie from the horses mouth is truly hilarious and makes getting this release a must. I’ve actually listened to this twice now and can’t wait for round three).
• Interviews with cast and crew members Pat Moran, Vincent Peranio, Mink Stole, Susan Lowe and George Figgs
• Plus, an essay by critic Linda Yablonsky (not included with my screener).
Posted on March 18, 2017, in American Indie, Comedy, Must-See and tagged 1970s, Black comedy, Divine, Janus Films, John Waters, Mink Stole, The Criterion Collection, Transgressive cinema. Bookmark the permalink. Leave a comment.