31 (2015) | Rob Zombie’s ultra-violent valentine to blood-soaked 1970s exploitation is a demented kill-ride
Following 2013’s supernatural misfire The Lords of Salem (which I rather liked, so check it out here), the shock rocker pays homage once again to 1970s grindhouse by tipping a blood-soaked Bozo clown wig to Tobe Hooper’s Texas Chainsaw Massacre and The Funhouse, by way of Stephen King’s The Running Man and Wes Craven’s The Hills Have Eyes. But frankly, its not a par on those classics.
The director’s wife and muse, Sheri Moon Zombie, heads up a group of carnival workers who are kidnapped on Halloween night 1976 and let loose in a derelict factory where they are given 12 hours to fight their way to freedom through a maze of secret passages containing deadly traps and a cavalcade of homicidal clowns bearing sicko monikers like Psycho-Head, Sick-Head, Death-Head, Sex-Head and Doom Head.
Placing bets on who will survive is Malcolm McDowell (who turns 74 today) as the bizarrely-named Father Napoleon-Horatio-Silas Murder, veteran British actress Judy Geeson (who was also in The Lords of Salem) and voice over artist Jane Carr. Bizarrely, their aristocratic 18th-century attire makes them look like they are appearing in a completely different film – and indeed they might well be as their characters are never fully explained.
Fans of Rob Zombie’s cult hits House of 1000 Corpses and The Devil’s Rejects will relish his return to ghoulish sadistic form, but this demented trip through the most blood-drenched funhouse this side of the late Hershell Gordon Lewis might leave everyone else colder than all those corpses that pile up before Sheri’s final girl showdown with the film’s most intriguing character, the psychopathic killer Doom Head (Richard Brake, who played the Night King on Game of Thrones).