X Moor (2014) | Some nasty surprises await in the British indie horror – welcome to the lair of the Beast!

Xmoor poster

With her sights set on fame and fortune, American student journalist Georgia (Melia Kreiling) and her cameraman boyfriend Matt (Nick Blood) head to Exmoor in North Devon to capture footage of a legendary panther that is said to roam the moor.

With the help of an experienced animal tracker Fox (Matt Bonar), the couple set up camp in Slew Wood and begin fixing up 42 cameras to the trees and rocks. But when they uncover the rotting corpses of dozens of young women in the undergrowth, Georgia and Matt realise that Fox has intentionally led them into a serial killer’s dumping ground in a bid to hunt him down… So will they stay or will they go?

Xmoor (2014)

From writer/director Luke Hyams comes X Moor, an atmospheric survivalist horror. It’s a handsome looking film, with cool score and credits, and evocative photography of the wet and windy terrain (with Ballymoney, Northern Ireland standing in for Exmoor). The characters are well drawn and the cast is excellent.

Melia Kreiling’s Georgia’s got balls and a conscience and given what she goes through in the course of one night, she’s destined to join the ranks of horror’s other fierce Final Girls. Typically, Nick Blood’s Matt is a bit of a dick, although his relationship with Georgia comes off as playful and genuine. And when he sprains his leg and risks getting hypothermia, you can’t help but feel sorry for him.

Xmoor (2014)

Mark Bonnar’s Fox, meanwhile, is the film’s most intriguing character – part menacing, part sympathetic. He provides real gravitas to the proceedings and also one the film’s big shock moments. The other big jump-in-your-seat moment is when one of the six corpses the trio uncover is found to be still alive! That one really got me – as did the idea that the killer (the Beast) drugs his victims and buries them so that he can hunt them down later. That’s just sick!

The film however is ultimately let down by some serious randomness, especially the introduction of Charlene (Jemma O’Brien), the unseen killer’s one-eyed daughter, who is found by Georgia waiting for her father to return from grouse shooting. That was just too leftfield.

Xmoor (2014)

Then there’s the messy climax, in which everyone (killer included) make really stupid decisions until its just Georgia left to face her hunter armed with the jaw bone of a deer. What happens next is suppose to be the film’s big shock twist. But it just left me scratching my head and, in the end, there’s no closure for either Georgia or the audience. There’s also a suggestion that there’s more than one killer involved. I really wanted that one explained. The panther, by the way, does make an appearance on one of the CCTV cameras at the very end of the film. Growl!!!

‘Smells like a giant kitty litter’

XMoor gets its UK TV premier on The Horror Channel today (Friday 18 August) at 9pm.



About Peter Fuller

Peter Fuller is an award-winning print, radio and television journalist and producer, with over 30 years experience covering film and television, with a special interest in world cinema and popular culture. He is a leading expert on the life and career of Vincent Price and actively promotes the actor's legacy through publications, websites and special events.

Posted on August 18, 2017, in British Film, Horror, Might See, Survival Thriller and tagged , , , , , , , , , , . Bookmark the permalink. 1 Comment.

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