The Brotherhood of Satan | The 1971 horror is devilishly good fun
Sam Peckinpah favourites Strother Martin and LQ Jones take the lead in the 1971 American indie horror The Brotherhood of Satan, which is now out on Blu-ray from Arrow Video.
After witnessing a gruesome traffic accident, widower Ben (Charles Bateman), his girlfriend Nicky (Ahna Capri) and daughter KT (Geri Reischl) find themselves unable to leave the southwest desert town of Hillsboro, where scores of families have been slaughtered and their children have mysteriously disappeared.
As the sheriff (Jones) and his deputy (Alvy Moore) try to make sense of the situation, the local priest (Charles Robinson) suspects a supernatural force is at work. The town’s physician Doc Duncan (Martin), meanwhile, is hiding a diabolical secret – he’s the head of a satanic cult whose elderly members are planning on transferring their souls into the bodies of the kids.
Filmed (in Albuquerque, New Mexico) in 1969, but not released until 1971 (through Columbia Pictures), The Brotherhood of Satan belongs in the top tier of the satantic panic movies of the 1970s – alongside my personal favourites Race With the Devil and The Devil’s Rain. Originally titled, ‘Come In, Children‘ it was produced by best buddies LQ Jones (who also wrote the script) and Alvy Moore (who is best known for his comic turn as Hank Kimball in TV’s Green Acres), and directed by Bernard McEveety (who did loads of TV shows like The Fall Guy and Charlie’s Angels).
The film certainly wears its indie credentials on its sleeve as Jones goes down the arthouse route with the film’s visuals and pacing; while also giving his actors loads of room to invest in their respective roles – just like John Carpenter would do in 1976’s Assault on Precinct 13.
Everyone is brilliant here, particularly so Reischl, who would find fame (and infamy) taking over from Eve Plumb as Jan Brady in The Brady Bunch Variety Hour (1976-1977). Martin also shows much light and shade with his duplicitous character, before launching into full-blown scenery-chewing in the climax; while the facial contortions of Helene Winston’s doomed witch Dame Alice will haunt you forever.
Jones and Co also seem to be paying homage to Roger Corman and his 1960s Poe films with one effective dream sequence (that uses distorted lens and colours) and with the design of the film’s set-piece – the coven’s lair featuring an enormous spider web and the kids displayed like mannequins on pedestals. It’s terrific, if incongruous to the film’s dusty desert setting and looks like a rock concert stage creation by way of Alice Cooper’s Welcome to My Nightmare. But then, the reason why it does look so out of place does become evident in the closing scenes. Interestingly, director Peter Sasdy’s Nothing But the Night, starring Christopher Lee and Peter Cushing, shares a similar pay-off.
This is a super release from Arrow, with some excellent extras – especially the interview with Alvy Moore’s daughter, Alyson. Although it would have been great to hear from LQ Jones, too.
SPECIAL EDITION CONTENTS
• High Definition Blu-ray (1080p) presentation
• Original uncompressed mono audio
• Optional English subtitles
• Audio commentary by writers Kim Newman and Sean Hogan
• Satanic Panic: How the 1970s Conjured the Brotherhood of Satan, a visual essay by David Flint
• The Children of Satan: interview with actors Jonathan Erickson Eisley and Alyson Moore
• Original Trailers and TV and Radio Spots
• Image Gallery
• Reversible sleeve featuring original and newly commissioned artwork by Richard Wells
• Booklet featuring new writing by Johnny Mains and Brad Stevens.