Jeepers Creepers: Reborn | The Creeper is back!
Jeepers Creepers: Reborn (which is out now on Blu-ray from 101 Films in the UK) is the fourth film in the horror franchise, which was unleashed back in 2001 by controversial writer-director Victor Salva.
After two hugely successful instalments, Salva and his demonic serial killer, The Creeper, laid dormant until 2017, when a third film got a one-night-only cinema release before heading to TV and a home entertainment release.
This ‘reboot’ removes Salva from any involvement – most probably due to the dark cloud that continues to hover over his career – but is this ‘reboot’ any good? Well, not really! Here’s why!
Taking the helm is Finnish director Timo Vuorensola, whose previous films included a huge fave of mine Iron Sky and its sequel Iron Sky: The Coming Race, while Jarreau Benjamin replaces Jonathan Breck, the actor who portrayed Creeper in the original trilogy.
Tapping into the latest horror trends, the plot involves a young couple – loveable geek Chase (Imran Adams – Hollyoaks, Ghosts) and his pregnant girlfriend Laine (Sydney Craven – EastEnders, A Christmas Carol) – who win an escape room experience while attending a horror convention in Louisiana. But it’s a trap set by the satanic followers of The Creeper, who’s after Laine’s unborn child.
So why didn’t I like it? Well, a number of things. The film (which was shot primarily at the Black Hangar Studios in Hampshire here in the UK) comes off looking like a computer game. There’s lots of CGI used for the ‘escape room’ house and the birds, which play an important role. Maybe that was what the director was aiming for (just as he had done in the Iron Sky films), but it just made it less real – fake, even. It’s a shame because there’s a Devil’s Rain kind of film itching to get out here (especially with the introduction of The Creeper’s satanic followers – but they aren’t explained nor developed enough).
Also the convention crowd scenes are poorly staged, with the same dozen extras gyrating, dancing and mucking about that don’t match the final music edit (Focus on one extra instead of the main characters, and you’ll see what I mean).
The Creeper isn’t creepy at all. Jarreau Benjamin does an admiral job, but he lacks the otherworldly ‘feral-ness’ of Breck’s incarnation. And what’s greatly missed (for me) is that it’s devoid of any of the homoerotism that bubbled beneath the surface of Salva’s originals – and made The Creeper so darn creepy. Saying that the cast give their all to make their characters believable, and it was great to see some young British talent getting to strut their stuff.