Category Archives: Adventure

The Wonderful Worlds of Ray Harryhausen: Volume One (1955-1960) | Three classic adventures get a glorious HD restoration

Powerhouse Films have released three fantasy classics from special effects titan Ray Harryhausen for the first time on Blu-ray in the UK as part of their Indicator series. Containing a wealth of new and archival extras – including exclusive new interviews with director Joe Dante, SFX maestro Dennis Muren, and Aardman Animation co-founders David Sproxton and Peter Lord – this Limited Dual Format Edition Box Set is a must-have for your cult film collection.

First up is 1954’s It Came from Beneath the Sea starring Faith Domergue, Kenneth Tobey and Donald Curtis. One of the first films to feature Harryhausen’s special effects puppet animation, this classic sci-fi thriller uses them most impressively, while creating a tangible atmosphere of fear and chaos when a giant octopus emerges from the Pacific to wreak havoc on San Francisco. The sci-fi is presented here in both the original black and white print and an authorised (and surprisingly effective) colourised version.

 

A fun offering from the height of the 1950s monster movie boom is the second feature, 20 Million Miles to Earth, starring William Hopper (from TV’s Perry Mason) and Joan Taylor. Directed by Nathan Juran (TV’s Lost in Space) it features a scaly, clawed alien from Venus which doubles its size every 24 hours… The sci-fi is also presented in the original black and white print and a director-approved colourised version.

 

In 1960’s The Three Worlds of Gulliver, Kerwin Mathews gets to be a big man in a little world and a little man in a big world in this appealing version of Jonathan Swift’s classic. While it’s light on action, Mathews makes for an engaging hero, while Harryhausen conjures up some cute special effects for the little Lilliput and big Brobdingnag sequences (though the squirrel sequences is a bit of a disappointment). The film also makes great use of the location scenes set in Avila and Segovia in Spain.

 

INDICATOR LIMITED EDITION SPECIAL FEATURES:
• HD restorations of It Came from Beneath the Sea and 20 Million Miles to Earth
• 4K restoration from the original camera negative of The 3 Worlds of Gulliver
• Original black and white and alternative, authorised colourised versions of It Came from Beneath the Sea and 20 Million Miles to Earth
• Mono and 5.1 surround sound audio options
It Came from Beneath the Sea and 20 Million Miles to Earth audio commentaries about the colourised versions with Ray Harryhausen (which are both excellent and hugely entertaining).
The 3 Worlds of Gulliver audio commentary with film historians Randall Cook, C Courtney Joyner and Steven C Smith (this one is heavy on the creation of the musical score and lots of bios of the cast and crew).
• New interview with filmmaker Joe Dante
• New interview with SFX maestro Dennis Muren
• New interviews with Aardman Animation’s David Sproxton, Peter Lord and Dave Alex Riddett
• Archival documentaries, interviews and featurettes
• Original trailers and promotional films
• Isolated score on The 3 Worlds of Gulliver by Bernard Herrmann (I forgot how good this was)
• Promotional and on-set photography, poster art and archive materials
• Booklet with essays from Kim Newman, Dan Whitehead and Charlie Brigden, and film credits

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Journey to the Center of the Earth (1959) | The Jules Verne adventure classic starring James Mason thrills again in 4k

Journey to the Center of the Earth (1959)

A landmark in Hollywood adventure film-making, 20th Century Fox’s 1959 adaptation of Jules Verne’s 1864 sci-fi novel, Journey to the Center of the Earth, thrills again following a glorious 4k restoration.

Journey to the Center of the Earth (1959)

Five years after playing Captain Nemo in Disney’s 20,000 Leagues Under the Sea, James Mason stepped into the shoes of another classic Verne character – geologist Otto Lidenbrok (renamed Professor Sir Oliver Lindenbrook), who leads a daring mission into the bowels of the Earth after discovering a hidden message from Icelandic pioneeer Arne Saknussemm.

Journey to the Center of the Earth (1959)

Tagging along is dedicated ‘Scottish’ geology student Alec McEwan (Pat Boone), the widow of Lindenbrook’s late partner, Carla (Arlene Dahl), and local Icelander Hans (Pétur Ronson) and his pet duck Gertrude. Heading down a fissure inside the Snæfellsjökull volcano, the amateur explorers soon find themselves in a world within a world populated by prehistoric creatures and strange natural phenomena. But following close behind is Saknussemm’s murderous descendent (Thayer David), who wants to claim the centre of the Earth for his own…

Journey to the Center of the Earth (1959)

No matter how many times I have watched this film, I never tire of it. It’s a masterclass in adventure film-making and a big influence on Spielberg’s Raiders of the Lost Ark (check out the rolling boulder) and Jurassic Park. The colourful subterranean sets are spectacular and work seamlessly with the gorgeously lit scenes shot in New Mexico’s Carlsbad Caverns, while composer Bernard Hermann fills the colourful cavernous landscape with a tremendous music score that makes everything seem ominous and outer wordly.

Journey to the Center of the Earth (1959)

Journey to the Center of the Earth (1959)

Journey to the Center of the Earth (1959)

Of the 11 prehistoric animals that appeared in Verne’s novel, only a couple end up on screen – a family of dimetrodons and a giant megalosaurus. And although they are just magnified rhinoceros iguanas with glued-on fins and a painted Tegu lizard, they’re still pretty effective and way better than the ones in Irwin Allen’s The Lost World.

Journey to the Center of the Earth (1959)

James Mason is a joy to watch playing the ever curious scientist. But he wasn’t the producers original choice. That went to Clifton Webb, who had to drop out after suffering a double hernia. Mason, however, does make a great sparring partner for Arlene Dahl’s plucky widow, and it’s a nice change to see a middle-age romance blossoming before our eyes (you don’t see much of that today on the big screen).

Journey to tJourney to the Center of the Earth (1959)he Center of the Earth (1959)

Christian pin-up, singer Pat Boone may not convince as a Scot, but he does make for a fun hero – and also a bit of eye candy as we get to swoon over his lithe surfer bod and deep Californian tan (how very un-Scottish) when he loses his shirt and most of his tartan trousers.

Journey to the Center of the Earth (1959)

The film’s other star is, of course, Hans’ pet and best friend – Gertrude the Duck. She has so much character (and I love her painted eyes), and provides the film with one of its most memorable (and tearful) scenes. Along with Captain Nemo’s pet sea lion Esmeralda in Disney’s 20,000 Leagues Under the Sea, Gertrude established the tradition of having a loveable critter join its human cast in daring adventures (remember Herbert the Rooster in 1965’s Wargods of the Deep? or Heidi the Dalmatian in 1975’s The Hindenburg?)

Journey to the Center of the Earth (1959)

Eureka Classics’ 4K restoration really showcases the much-loved adventure’s fantastic production design and sound, making this a must-have in any film collection and one to watch over and over.

SPECIAL FEATURES

  • 1080p presentation from a definitive 4K restoration
  • Optional stereo PCM soundtrack and 5.1 DTS-HD Master Audio options
  • Isolated music and effects track (not included on my screener)
  • Optional English subtitles
  • Audio commentary with actress Diane Baker and film historians Steven C Smith and Nick Redman (not included on my screener so I can’t comment)
  • Interview with author Kim Newman (very informative)
  • A short clip featuring film’s restoration over the years
  • Original theatrical trailer
  • Booklet featuring Bosley Crowther’s 1959 New York Times review, archival images and poster gallery, and viewing notes.

Available to purchase here http://amzn.to/2tir1l6

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Ray Harryhausen’s legendary Sinbad adventures restored and on Blu-ray in the UK for the very first time!

The Sinbad Trilogy on Blu-ray

 

The 7th Voyage of SinbadTHE 7TH VOYAGE OF SINBAD (Nathan Juran, 1958)
The film for which director Nathan Juran (who also did TV’s Lost in Space and Land of the Giants amongst others) will be remembered and a huge box office smash at the time of its cinema release. Kerwin Matthews takes the title role as the fearless Sinbad who sails into troubled waters to save a princess (Kathryn Grant) cursed by an evil magician (played with gleeful menace by Torin Thatcher) who wants to get his hands on a magic lamp and its genie. But the real stars of this rousing Arabian Nights adventure are, of course, Ray Harryhausen’s incredible stop motion animated monsters, most notably his glowering Cyclops and chained dragon. Believe it or not, the scene involving the sword-fighting skeleton warrior was originally cut by the British censors as being too frightening! How times have changed.

The Golden Voyage of SinbadTHE GOLDEN VOYAGE OF SINBAD (Gordon Hessler, 1973)
Ray Harryhausen pulls out more Dynamation magic for this second Sinbad adventure which sees John Phillip Law’s seafarer battle a one-eyed centaur, a six-armed sword-wielding Kali idol, a gryphon, and a homunculus as he seeks out the fabled Fountain of Destiny to restore the disfigured face of the Grand Vizier of Marabia (Douglas Wilmer). Phillip Law might look the part, but he makes for a rather dull hero, while an eye-catching Caroline Munro is in desperate need of more dialogue (and where does a runaway slave get so many snazzy outfits from?). Tom Baker, however, chews the scenery in true pantomime villain style, and it was on the back of his performance that he landed the Doctor Who gig – and changed his life forever.

Sinbad and the Eye of the TigerSINBAD AND THE EYE OF THE TIGER (Sam Wanamaker, 1977)
Sinbad’s escapades get a colourful (well it is the 1970s) injection in this final Arabian Nights adventure starring Patrick Wayne (son of John) who along with Jane Seymour’s Princess Farah take on an army of Ray Harryhausen’s special effects creatures in their attempt to undo the spell on the princess’ brother (Damien Thomas), who has been turned into a baboon by Margaret Whiting’s sorceress, Zenobia. Harryhausen is at the top of his game here – his three ghouls, troglodyte and robotic bronze Minoton (played by an uncredited Peter Mayhew in the close-ups) being the stand-out. And while the saber-toothed tiger might look more cuddly than fierce, its the back-projection work employed in the location scenes at Petra in Jordan and the Hyperborea-set climax that really let the team down.

These classic adventures are presented here in new restorations on Blu-ray for the very first time in the UK  and they look terrific (check out my comments below). Plus, you’ve got some exclusive interviews with Tom Baker, Caroline Munro and Jane Seymour, as well as some super archival interviews with Harryhausen and producer Charles H Schneer and loads more.

Order now: http://www.powerhousefilms.co.uk/product/the-sinbad-trilogy-dfe

INDICATOR LIMITED EDITION SPECIAL FEATURES:
• New 4K restoration of The 7th Voyage of Sinbad from the original camera negative (absolutely loved this restoration, especially the sound which brings Bernard Herrmann’s score to the fore).
• 2K restorations of The Golden Voyage of Sinbad (this one has grain problems in the low-light shots and night-time scenes) and Sinbad and the Eye of the Tiger from the original camera negatives (also a little grain in the night-time shots, but otherwise an excellent transfer – despite the inherent production flaws).
• Mono and 5.1 surround sound audio options
The 7th Voyage of Sinbad audio commentary with Ray Harryhausen
• Previously unreleased audio interviews with Ray Harryhausen and producer Charles H Schneer
• New interviews with actors Tom Baker (his Catholic indoctrination story had been me in stitches), Caroline Munro (who thought John Phillip Law was a dreamboat) and Jane Seymour (who never got to any of the exotic locations used in the film hence the terrible back projection)
• New interview with SFX maestro Phil Tippett
• Original Super 8 cut-down versions (these are a real treat, despite having no sound)
• Archival documentaries (all of them fascinating), interviews and featurettes (loved the Trailers from Hell one with Brian Trenchard-Smith on The 7th Voyage of Sinbad, and one on Bernard Herrmann)
• Original trailers and promotional films
• Isolated scores by Bernard Herrmann, Miklós Rózsa and Roy Budd
• Promotional and on-set photography, poster art and archive materials
• Box set exclusive 80-page book with new essays, and film credits

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War for the Planet of the Apes (2017) | Ape-ocalypse Now! Adventure and spectacle never looked so awesome

War of the Planet of the Apes

Imagine if Cecil B De Mille and Irwin Allen created a Planet of Apes sequel and decided to fuse elements from The Ten Commandments, The Great Escape and Bridge on the River Kwai, while also paying homage to the original Ape movies… boom! You’ve got War for the Planet of the Apes aka Ape-ocalypse Now! – where spectacle and adventure collide on a colossal scale – but with a complex morality fable racing through.

Did I like it? Hell yes! Picking up two after the events of Dawn, Caesar and the surviving ape colony have been hiding out deep in the forest when they come under attack from a band of soldiers, who are quickly subdued. In an act of mercy, Caesar spares the lives of the survivors, but their leader, Colonel McCullough (Woody Harrelson), launches a devastating counter-attack.

With knowledge that forces from the North are heading their way, Caesar plans to send the colony out of the forest to a safe haven in the desert – but there’s a little matter of revenge against the ape-hating McCullough to sort out first…

War of the Planet of the Apes

[WARNING: POSSIBLE SPOILERS AHEAD]
What follows is Caesar undergoing an existential crisis as he struggles between becoming like his nemesis Koba whom he defeated in Dawn (but who still haunts Caesar) by getting violent revenge on the humans, and also dealing with the challenge of leading his tribe (just like Moses) to a Promised Land.

Of course he can’t do it without some help: so we have the ever-reliable Rocket (the brawn) and Maurice (the brains and Caesar’s conscience) accompanying him, along with Steve Zahn’s former zoo inmate, Bad Ape (who supplies the film’s only comic relief) and an orphaned girl (Amiah Miller) who Maurice takes under his protection – giving her the name Nova (could she be Chuck Heston’s rescued damsel from Planet of the Apes?).

 

The fact that little Nova can’t speak is another link to POTA where all of the humans were mute. Seems that pesky virus from Rise has had far-reaching effects. It could also provide a clue as to where this reboot franchise could be heading if War does just as well at the box office as the first two.

War of the Planet of the Apes

Caesar is soon into Heart of Darkness territory when Harrelson’s shaven-headed Kurtz-like Colonel captures the apes – including Caesar’s young son Cornelius – and forces them to work as slaves. Now, its time for Caesar to put on Dickie Attenborough’s officier’s hat and devise a Great Escape with the help of his sidekicks…

Like I said before, I loved War and those movie riffs, especially to the original Ape movies of which I’m a huge lifelong fan were a treat. The one that really tickled me was when Caesar is seen in silhouette as fires burn around him, which recalls the closing shot in Conquest of the Planet of Apes when Roddy McDowall’s Caesar delivers his ‘birth of the Planet of the Apes’ speech after defeating his captors. And those scary crucifixes seen in the first two movies also feature.

War of the Planet of the Apes

But while some may think it lazy film-making creating a movie based on the best scenes from classic big screen adventures, what makes this adventure so enthralling is the epic cinematography and the genuinely touching performances of all the motion-capture ape characters – with Andy Serkis providing some richly deep commanding vocal talent to his slightly greying and grizzled Caesar and Karin Konoval returning as my favourite – the marvellous Maurice. Then there’s the solid screenplay which brings brings lots of light and shadow and complexity to what could be seen as another ‘Apes good, Man bad’ scenario.

This is what summer blockbusters should be all about – adventure and spectacle on an awesome scale – but with a bit of heart and soul and moral complexity.

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