Category Archives: Adventure
Ray Harryhausen’s legendary Sinbad adventures restored and on Blu-ray in the UK for the very first time!
THE 7TH VOYAGE OF SINBAD (Nathan Juran, 1958)
The film for which director Nathan Juran (who also did TV’s Lost in Space and Land of the Giants amongst others) will be remembered and a huge box office smash at the time of its cinema release. Kerwin Matthews takes the title role as the fearless Sinbad who sails into troubled waters to save a princess (Kathryn Grant) cursed by an evil magician (played with gleeful menace by Torin Thatcher) who wants to get his hands on a magic lamp and its genie. But the real stars of this rousing Arabian Nights adventure are, of course, Ray Harryhausen’s incredible stop motion animated monsters, most notably his glowering Cyclops and chained dragon. Believe it or not, the scene involving the sword-fighting skeleton warrior was originally cut by the British censors as being too frightening! How times have changed.
THE GOLDEN VOYAGE OF SINBAD (Gordon Hessler, 1973)
Ray Harryhausen pulls out more Dynamation magic for this second Sinbad adventure which sees John Phillip Law’s seafarer battle a one-eyed centaur, a six-armed sword-wielding Kali idol, a gryphon, and a homunculus as he seeks out the fabled Fountain of Destiny to restore the disfigured face of the Grand Vizier of Marabia (Douglas Wilmer). Phillip Law might look the part, but he makes for a rather dull hero, while an eye-catching Caroline Munro is in desperate need of more dialogue (and where does a runaway slave get so many snazzy outfits from?). Tom Baker, however, chews the scenery in true pantomime villain style, and it was on the back of his performance that he landed the Doctor Who gig – and changed his life forever.
SINBAD AND THE EYE OF THE TIGER (Sam Wanamaker, 1977)
Sinbad’s escapades get a colourful (well it is the 1970s) injection in this final Arabian Nights adventure starring Patrick Wayne (son of John) who along with Jane Seymour’s Princess Farah take on an army of Ray Harryhausen’s special effects creatures in their attempt to undo the spell on the princess’ brother (Damien Thomas), who has been turned into a baboon by Margaret Whiting’s sorceress, Zenobia. Harryhausen is at the top of his game here – his three ghouls, troglodyte and robotic bronze Minoton (played by an uncredited Peter Mayhew in the close-ups) being the stand-out. And while the saber-toothed tiger might look more cuddly than fierce, its the back-projection work employed in the location scenes at Petra in Jordan and the Hyperborea-set climax that really let the team down.
These classic adventures are presented here in new restorations on Blu-ray for the very first time in the UK and they look terrific (check out my comments below). Plus, you’ve got some exclusive interviews with Tom Baker, Caroline Munro and Jane Seymour, as well as some super archival interviews with Harryhausen and producer Charles H Schneer and loads more.
INDICATOR LIMITED EDITION SPECIAL FEATURES:
• New 4K restoration of The 7th Voyage of Sinbad from the original camera negative (absolutely loved this restoration, especially the sound which brings Bernard Herrmann’s score to the fore).
• 2K restorations of The Golden Voyage of Sinbad (this one has grain problems in the low-light shots and night-time scenes) and Sinbad and the Eye of the Tiger from the original camera negatives (also a little grain in the night-time shots, but otherwise an excellent transfer – despite the inherent production flaws).
• Mono and 5.1 surround sound audio options
• The 7th Voyage of Sinbad audio commentary with Ray Harryhausen
• Previously unreleased audio interviews with Ray Harryhausen and producer Charles H Schneer
• New interviews with actors Tom Baker (his Catholic indoctrination story had been me in stitches), Caroline Munro (who thought John Phillip Law was a dreamboat) and Jane Seymour (who never got to any of the exotic locations used in the film hence the terrible back projection)
• New interview with SFX maestro Phil Tippett
• Original Super 8 cut-down versions (these are a real treat, despite having no sound)
• Archival documentaries (all of them fascinating), interviews and featurettes (loved the Trailers from Hell one with Brian Trenchard-Smith on The 7th Voyage of Sinbad, and one on Bernard Herrmann)
• Original trailers and promotional films
• Isolated scores by Bernard Herrmann, Miklós Rózsa and Roy Budd
• Promotional and on-set photography, poster art and archive materials
• Box set exclusive 80-page book with new essays, and film credits
War for the Planet of the Apes (2017) | Ape-ocalypse Now! Adventure and spectacle never looked so awesome
Imagine if Cecil B De Mille and Irwin Allen created a Planet of Apes sequel and decided to fuse elements from The Ten Commandments, The Great Escape and Bridge on the River Kwai, while also paying homage to the original Ape movies… boom! You’ve got War for the Planet of the Apes aka Ape-ocalypse Now! – where spectacle and adventure collide on a colossal scale – but with a complex morality fable racing through.
Did I like it? Hell yes! Picking up two after the events of Dawn, Caesar and the surviving ape colony have been hiding out deep in the forest when they come under attack from a band of soldiers, who are quickly subdued. In an act of mercy, Caesar spares the lives of the survivors, but their leader, Colonel McCullough (Woody Harrelson), launches a devastating counter-attack.
With knowledge that forces from the North are heading their way, Caesar plans to send the colony out of the forest to a safe haven in the desert – but there’s a little matter of revenge against the ape-hating McCullough to sort out first…
[WARNING: POSSIBLE SPOILERS AHEAD]
What follows is Caesar undergoing an existential crisis as he struggles between becoming like his nemesis Koba whom he defeated in Dawn (but who still haunts Caesar) by getting violent revenge on the humans, and also dealing with the challenge of leading his tribe (just like Moses) to a Promised Land.
Of course he can’t do it without some help: so we have the ever-reliable Rocket (the brawn) and Maurice (the brains and Caesar’s conscience) accompanying him, along with Steve Zahn’s former zoo inmate, Bad Ape (who supplies the film’s only comic relief) and an orphaned girl (Amiah Miller) who Maurice takes under his protection – giving her the name Nova (could she be Chuck Heston’s rescued damsel from Planet of the Apes?).
The fact that little Nova can’t speak is another link to POTA where all of the humans were mute. Seems that pesky virus from Rise has had far-reaching effects. It could also provide a clue as to where this reboot franchise could be heading if War does just as well at the box office as the first two.
Caesar is soon into Heart of Darkness territory when Harrelson’s shaven-headed Kurtz-like Colonel captures the apes – including Caesar’s young son Cornelius – and forces them to work as slaves. Now, its time for Caesar to put on Dickie Attenborough’s officier’s hat and devise a Great Escape with the help of his sidekicks…
Like I said before, I loved War and those movie riffs, especially to the original Ape movies of which I’m a huge lifelong fan were a treat. The one that really tickled me was when Caesar is seen in silhouette as fires burn around him, which recalls the closing shot in Conquest of the Planet of Apes when Roddy McDowall’s Caesar delivers his ‘birth of the Planet of the Apes’ speech after defeating his captors. And those scary crucifixes seen in the first two movies also feature.
But while some may think it lazy film-making creating a movie based on the best scenes from classic big screen adventures, what makes this adventure so enthralling is the epic cinematography and the genuinely touching performances of all the motion-capture ape characters – with Andy Serkis providing some richly deep commanding vocal talent to his slightly greying and grizzled Caesar and Karin Konoval returning as my favourite – the marvellous Maurice. Then there’s the solid screenplay which brings brings lots of light and shadow and complexity to what could be seen as another ‘Apes good, Man bad’ scenario.
This is what summer blockbusters should be all about – adventure and spectacle on an awesome scale – but with a bit of heart and soul and moral complexity.