Category Archives: Comedy
Boccaccio ’70 (1962) | Italian sexual mores as seen through the eyes of Fellini, Visconti, De Sica and Monicelli
Italy’s greatest directors bring four stories of Italian post-war sexual mores and morality to cinematic life in the 1962 big-screen anthology Boccaccio ’70, which gets a brand-new remaster on Blu-ray, DVD and digital from CultFilms in the UK.
Federico Fellini directs his first colour work, the wild fantasy, Le tentazioni del dottor Antonio, which perfectly illustrates why Fellini is Fellini. Starring Anita Ekberg, who beguiled cinema audiences as the lady in the Trevi Fountain in 1960’s La Dolce Vita, Fellini’s surreal play sees a prudish man driven insane when a giant billboard featuring the ravishing Ekberg comes to life.
Luchino Visconti provides some serious melodrama with Il lavoro, a play in which Romy Schneider’s aristocratic housewife shows her independent side when her husband’s affairs make front page news. This one features what Time Magazine described as ‘surely one of the most provocative stripteases to be recorded on film’.
Vittorio De Sica’s story, La riffa, sees screen siren Sophia Loren putting her sexual favours up for auction in a bid a to pay off her taxes. While the portraits conclude with director Mario Monicelli’s once lost segment, Renzo e Luciana – a sweet, funny play about two working class lovers (Marisa Solinas and Germano Gilioli) who keep their impending marriage a secret in order to keep their jobs.
With an exciting soundtrack from the legendary Nino Rota and Armando Trovaili and outstanding camerawork, Boccaccio ’70 is a slice of cinematic history past that deserves multiple viewings.
For the first-time ever, the film is presented here in both its original language with new, improved, English subtitles and alternatively with an English audio track. The new Blu-ray release also features previously the unseen documentary, Sophia, Yesterday, Today and Tomorrow, a candid, intimate interview with Sophia Loren with contributions from Woody Allen, Giorgio Armani and other close friends and collaborators.
Boccaccio ’70 is available on Blu-ray, DVD and digital from CultFilms in the UK from 26 June 2017
Heading up the survivors are tough army sergeant Mac (Jim Sweeney) and cowardly Major Gibson (Joe Rainbow), who are transporting the alleged architect of the virus, Dr Sykes (Eric Colvin), to the city of Imperion; the golf-mad Beaumont (Danny Brown) and his teenage daughter, Becca (Rachel Nottingham); office worker Gandhi (Simon Burbage); Essex slag Harden (Jade Colucci); and a pint-sized, heavily-pregnant, religious nutter (Shamiso Mushambi).
Once inside, however, the survivors discover they are not alone – a messiah-like zombie (Rupert Phelps) with the power to heal the infected is wandering the corridors. Believing him to be the cure, Sykes convinces his captors to try and capture the unholy undead dude. But their task isn’t made easy when the virus starts spreading amongst the survivors…
‘Die down the negative energy, it’s not the end of the world!’
This low budget zombie comedy horror from Hampshire-based film outfit Charmed Apocalypse Pictures (aka Andy Phelps and Jake Hawkin) is way better than it ought to be. If you can forgive the copious amounts of swearing and questionable acting ability, this homemade horror is a riot.
It’s got a cracking script, whose black humour owes a big debt to Monty Python, Blackadder and Shaun of the Dead; gory special effects that really do deliver (decapitation by golf club, anyone?); some nicely twisted takes on the horror genre’s stock-in-trade characters; cool comic book style graphics; and a catchy darkwave electronic theme tune (that sounds not unlike Laibach).
Much fun is made about death and religion and some of it is very dark, like when the Bible-spouting Esther tries to crucify herself. It’s also incredibly inventive – who knew wearing a coat of rotting human skin will make you invisible to zombies? Then there’s the fatalistic central theme of being eaten, resurrected and eaten again: now that’s really scary. If there’s one downside, it’s that the comedy ends up taking the back seat as the grisly theme plays out. But then, we wouldn’t have the film’s Romero-esque final shot…
Paying homage to classic Forties film noirs, 1982’s Dead Men Don’t Wear Plaid starred Steve Martin (giving one of his best performances) as the Philip Marlowe-styled gumshoe Rigby Reardon, who is hired by Juliet Forrest (Rachel Ward) to investigate the death of her father, a noted scientist, philanthropist and cheesemaker…
Originally released on 21 May 1982, the film is irresistibly silly and very funny (aside from the misogyny of course, which was typical of films of the era). But the best thing about the comedy is how it cleverly intercut 19 classic movies into its spoof adventure. Whilst writing the film, Carl Reiner and George Gipe spent countless hours looking for specific shots and ‘listening for a line that was ambiguous enough but had enough meat in it to contribute a line’, while 85 sets were constructed in order toe edit in and merge the old film footage.
Then, of course, there was that amazing cast of Hollywood greats who ended up being Martin’s co-star. Alan Ladd, Barbara Stanwyck, Ray Milland, Burt Lancaster, Humphrey Bogart, Eva Gardner, Cary Grant, Ingrid Bergman, Charles Laughton, Joan Crawford Veronica Lake, Bette Davis, Lana Turner, Kirk Douglas, Fred McMurray, James Cagney and Vincent Price.
Check them all out here.
Available on Blu-ray in the UK from Fabulous Films, Dead Men Don’t Wear Plaid really makes you want to revisit the classic films spliced into the light-hearted spoof. And here they all are.
Johnny Eager (1941)
Keeper of the Flame (1942) (uncredited)
This Gun for Hire (1942)
The Glass Key (1942)
Double Indemnity (1944)
The Lost Weekend (1945)
The Killers (1946)
The Big Sleep (1946)
The Postman Always Rings Twice (1946)
I Walk Alone (1947)
Dark Passage (1947)
Sorry, Wrong Number (1948)
White Heat (1949)
The Bribe (1949)
In a Lonely Place (1950)
The Magic Christian (1969) | Peter Sellers, Ringo Starr and a shipload of famous faces make this comic misfire worth a revisit
This wildly undisciplined 1969 British comedy sees a homeless man called Youngman (Ringo Starr) being adopted by the world’s richest man, Sir Guy Grand (Peter Sellers), who sets out to prove that money can make people do anything through a series of practical jokes and bizarre stunts…
Shot with an everything-but-the-kitchen-sink mentality by one of the seven directors of the dire Casino Royal (The Goon Show’s Joseph McGrath), The Magic Christian is an absurd satire on capitalism, greed, and human vanities based on a novel by Terry Southern, whose warped imaginings also turned out screenplays for some of my favourite ‘out-there’ movies, Candy, Barbarella, The Loved One and Dr Strangelove.
Southern co-wrote the film with McGrath, but much was altered when the film’s star Peter Sellers – who loved Southern’s book so much he bought 100 copies to give to friends – got Spike Milligan, John Cleese and Graham Chapman to rewrite some scenes, some of which didn’t end up in the final cut. The biggest change was Ringo’s character, which was created especially for the movie.
Not that Starr brings much to the film, apart from hanging on Sellers’ every word (which the comedy legend utters in a vast array of vocal mimicry), as he carries out his ‘Grand’ schemes. These include getting Laurence Harvey’s Shakespearean actor to do a striptease during a performance of Hamlet, blowing the shit out of a squire’s sedate country shoot, fixing the Oxford-Cambridge Boat Race, and inviting a bunch of city types to bob for pound notes in a vat of animal blood, piss and manure.
Along for the wacky ride are Spike Milligan as a traffic warden who eats a parking ticket for £500, Hattie Jacques as a vain train passenger with a penchant for Nazi torture porn, Yul Brynner (voiced by The Rag Trade’s Miriam Karlin) as a transvestite singing Mad About the Boy to Roman Polanski, John Cleese as a surly Sothebys auctioneer, and Raquel Welch as a whip-wielding galley slave mistress, while Christopher Lee has fun sending up his Dracula persona. Shamefully, however, Leonard Frey (of Boys in the Band fame) is called Faggot.
The hit and miss satire ends in a shambolic riot aboard the eponymous Magic Christian, a luxury liner berthed in the Thames where London’s elite gather for the social event of the year (as reported by Michael Aspel and Alan Wicker).
While it certainly fails as an incisive satire (probably on account of it being lost in translation), The Magic Christian does have those fun cameos to tickle your funny bones, and the central London locations (with a Thames bursting its banks) are a real nostalgia trip. Watch out for the grotesque dining scene which could very well be the template for Monty Python’s Mr Creosote sketch in 1983’s The Meaning of Life (well Messrs Chapman and Cleese probably wrote that as well).
As for the Beatles-sounding theme tune ‘Come and Get It’, well that was written and produced by Paul McCartney for the Welsh rock band Badfinger, who released it as a single in December 1969 on the Beatles’ Apple label.
Fabulous Films presents the film on DVD in an unrestored version (some slight flecks appear here and there), with no extras.
Stung (2015) | Giant mutant wasps attack in the knockabout horror comedy premiering today on Horror Channel
An upper-class garden party on a country estate turns to bloody chaos when a swarm of mutated wasps descends to feast upon its guests. Trying to escape the deadly insects, catering staffers Paul (Matt O’Leary) and Julia (Jessica Cook) retreat inside of the mansion with a handful of survivors, including the town’s mayor (Lance Henriksen) and local eccentric Sydney (Clifton Collins Jr). But with each victim they consume, the wasps grow bigger and bigger, and it’s only a matter of time before the survivors finds themselves trapped inside a giant nest…
This creature feature from director Benni Diez (who did the visuals for Lars Von Trier’s Melancholia) is enormous fun, boasting a super cast playing some downright kooky characters, some gleeful gore and super SFX (both practical and digital), plus some laugh out loud in-jokes that all serve to pay homage to the big bug monster genre. Love it!
Stung is available on DVD from Entertainment One, and gets its premiere on the Horror Channel in the UK on Saturday 29 April at 10.55pm
When Nazi vampires led by the nefarious Count Draculon and his Hellish minions lay waste planet Earth, a cybernetically-enhanced soldier (Matthew Kennedy) and a rag-tag band of mercenaries help a scientist to bring down the evil Count.
The brainchild of Winnipeg film-making collective Astron-6 (whose latest effort is the 80’s throwback sci-fi The Void), 2011’s Manborg is a wacky ultra low-budget love letter to the sci-fi and action films that graced many a VHS cover in the 1980s. Like a stripped down RoboCop fused with Japanese anime-styled action, this is sci-fi cheese at it’s most enjoyable. And the best thing about it is the inspired DIY stop motion special effects that look a 100 times better than CGI. Asylum take note!
Available on DVD in the UK from Rockstone Films, and includes director’s commentary, trailer, music video, cast and crew interviews, deleted scenes and two shorts.
The iconic 1980s horror Fright Night is out in a dual-format special edition from Eureka Classics in the UK featuring a 4k digital restoration of the film and a coffin load of bonus material (check them out below). And the best news? It’s currently available on Amazon for just 8 quid (while the Limited Edition Steelbook is fetching £69.99).
This 1985 vampire movie certainly has plenty of bite – but also strikes the perfect balance of blood and guts horror and darkly comic humour. And alongside the same year’s, The Return of the Living Dead, it remains one of my personal favourites that I return to time and again.
If you love being scared, it’ll be the night of your life…
No-one will believe teenager Charley (William Ragsdale) when he tells them that a vampire called Jerry (Chris Sarandon) has moved into the house next door and is seducing and murdering young maidens there. He then turns to TV horror host Peter Vincent (Roddy McDowall) for help. Lured by a $500 incentive by Charley’s girlfriend (Amanda Bearse), who happens to look like Jerry’s long-lost love, the one-time Great Vampire Killer discovers that Jerry is indeed a vampire as he casts no reflection in a glass – and so the deadly games begin…
Sarandon is every inch the smoothie-savage bloodsucker, while Stephen Geoffreys steals every scene he’s in as Charley’s bestie turned beastie ‘Evil Ed’. But the real star of this late night horror show is Roddy McDowall, whose character name is made up of two iconic horror actors – Peter Cushing and Vincent Price. Alongside his turns in the Planet of the Apes films, this must rank as one of his career-best turns.
• 4K digital restoration, with original stereo PCM soundtrack and 5.1 DTS-HD Master Audio options, plus English subtitles
• You’re So Cool, Brewster! Exclusive to this release, a two-hour version of the 2016 documentary on the making of Fright Night.
• What is Fright Night? 2016 video piece featuring cast and crew interviews (BLU-RAY ONLY)
• Tom Holland: Writing Horror, a 2016 video piece featuring interviews with Holland and his collaborators (BLU-RAY ONLY)
• Rowdy McDowall: From Apes to Bats, a 2016 video piece featuring archival footage of McDowall and cast and crew interviews (BLU-RAY ONLY)
• Fear Fest 2 2008 reunion panel featuring Tom Holland, Chris Sarandon, William Ragsdale, Stephen Geoffreys, Amanda Bearse, Jonathan Stark and moderated by Rob Galluzzo (BLU-RAY ONLY)
• Shock Till You Drop Present Choice Cuts with Tom Holland and Ryan Turek, a three-part video interview on the film (BLU-RAY ONLY)
• The full electronic press kit, featuring extensive on-set interviews and behind-the-scenes footage (BLU-RAY ONLY)
• Stills and memorabilia from Tom Holland’s personal collection (BLU-RAY ONLY)
• G-rated and R-rated theatrical trailers (BLU-RAY ONLY)
• Collector’s booklet (STEELBOOK EXCLUSIVE)
Now, I haven’t seen any of the House films since their original releases, and while they’re a perfect example of ‘the law of diminishing returns’, they’ve been dusted off and given a sparkly 2k restoration by Arrow Video for a new Blu-ray/DVD release. Fans of trashy, cheesy 1980s comedy horror will certainly be adding the box-set to their collection, not only because they boast some might sine fine transfers, but for bonus content which includes new ‘making-of’ documentaries alongside some replicated Anchor Bay DVD extras.
So, for what its worth, here’s my take on these blasts from the past…
William Katt (TV’s Greatest American Hero) inherits his dead aunt’s neat Victorian gothic mansion where his troubled author Roger hopes to finish his novel about his experiences in Vietnam. But the house has other ideas, and soon Roger finds himself facing off monstrous apparitions and a vengeful spook…
Fusing spooky scares and funny thrills is certainly no mean feat when it comes to creating the perfect slice of comedy horror (Return of the Living Dead and Fright Night being of the superior kind), and while this first visit to the House franchise means putting up with a lot of silliness and some stage-bound Vietnam scenes with a bunch of extras that look like they belong in a gay porn, the pay-off (involving Roger trying to rescue his missing son from the great beyond) is worth putting up with the crappy bits. For me, the best scenes involve Katt (sporting a chest revealing 1980s cardi) teaming up with George Wendt (of Cheers fame) to battle a really cool Lovecraftian-inspired monster in the closet.
• Audio commentary with director Steve Miner, producer Sean S. Cunningham, actor William Katt and screenwriter Ethan Wiley
• Ding Dong, You’re Dead! The Making of House: documentary featuring interviews with Steve Miner, Sean S Cunningham, Ethan Wiley, story creator Fred Dekker, stars William Katt, Kay Lenz, and George Wendt, composer Harry Manfredini, special make-up and creature effects artists Barney Burman, Brian Wade, James Belohovek, Shannon Shea, Kirk Thatcher, and Bill Sturgeon, special paintings artists Richard Hescox and William Stout, and stunt coordinator Kane Hodder
• Stills Gallery
• Theatrical Trailers
HOUSE II: THE SECOND STORY (1987)
Arye Gross’ fit nerd Jesse gets into all sorts of inter-dimensional scrapes when he digs up his mummified great-great-grandfather (Royal Dano) while searching for a mystical crystal skull…
Coming off like a live-action episode of Scooby-Doo, this light-hearted supernatural sequel is pure 1980s, boasting a typically naff party sequences, lots of big hair and neon attire and really bad synth pop. It’s also got some cute Henson-styled puppets (a baby pterodactyl and a caterpillar-dog), which just adds to the cartoon-like atmosphere.
Another Cheers favourite, ohn Ratzenberger, has a cameo, but the film’s big star is the Stimson House, the 19th-century Richardsonian Romanesque LA mansion which stands in for the film’s Aztec-temple home (it’s also appeared in Mad Men, Pushing Daisies and the Vincent Price episode of The Bionic Woman).
• Audio commentary with writer-director Ethan Wiley and producer Sean S. Cunningham
• It’s Getting Weirder! The Making of House II: The Second Story – documentary featuring interviews with Ethan Wiley, Sean S Cunningham, stars Arye Gross, Jonathan Stark, Lar Park Lincoln, and Devin DeVasquez, composer Harry Manfredini, special make-up & creature effects artists Chris Walas, Mike Smithson, visual effects supervisor Hoyt Yeatman, and stunt coordinator Kane Hodder
• Stills Gallery
• Theatrical Trailer
HOUSE III: THE HORROR SHOW (1989)
Lance Henriksen’s craggy cop Lucas McCarthy finally nails serial killer ‘Meat Cleaver Max’ (Brion James). But when Max is sent to the electric chair, he’s transformed into a vengeful evil spirit which sets his sights on putting Lucas in the frame for a new series of gruesome murders…
This schlocky shocker bears no relation to the previous two House entries apart from its production team. It’s also a much more serious affair. But while the execution scene is staged with flair and James (a favourite of director Walter Hill) brings some excellent crazy-eyed charisma to a role that hits all the right slasher movie buttons, it’s just not that great and pales against Wes Craven’s Shocker, which came out the year and had the exact same premise.
• Uncut Version, for the first time on Blu-ray.
• Audio commentary with producer Sean S. Cunningham
• The Show Must Go On – interview with actor/stuntman Kane Hodder
• House Mother – interview with actress Rita Taggart
• Slaughter Inc. – brand new featurette with special make-up effects creators Robert Kurtzman, Greg Nicotero and Howard Berger
• Behind-the-Scenes Footage
• Stills Gallery
• Theatrical Trailer
HOUSE IV: THE REPOSSESSION (1992)
This direct-to-video entry got William Katt back (albeit very briefly) as Roger Cobb who is killed in a car accident at the very start. The rest of the film has his widow Kelly (Terri Treas) and crippled daughter Melissa (Melissa Clayton) experiencing ghostly goings-on and the greedy machinations of Roger’s brother (Scott Burkholder), while a Native American spirit guide tries to help them contact Roger from the other side…
I think one of the reasons I’ve never really clicked with the House franchise is that there is a real lack of cohesion between them – unlike Cunningham’s more successful Friday the 13th series, which I return to time and again. This final nail in the coffin is by far the weakest of the lot and confusingly has Katt return as Roger Cobb, but he’s a completely different character with a different back story and family. Even the house is not the same as the original one. Instead, we have what looks like a studio set like the house in Tobe Hopper’s Eaten Alive (which is a real guilty pleasure, check it out here). The best thing to do is listen to the commentary as director Abernathy is far more entertaining than the movie.
• Audio commentary with director Lewis Abernathy
• Home Deadly Home: The Making of House IV: documentary featuring interviews with director Lewis Abernathy, producer Sean S Cunningham, stars Terri Treas and William Katt, actor/stunt coordinator Kane Hodder, and composer Harry Manfredini
• Stills Gallery
• Theatrical Trailer
Roger Corman’s Death Race 2050 | This Wacky Races for the Trump era is a turbo-charged blast of popcorn fun
This ‘sequel’ to Roger Corman and Paul Bartel’s 1975 cult drive-in actioner Death Race 2000 is a hoot and a half – and finally consigns those dire Jason Statham/Luke Goss efforts to the wrecker’s yard.
Malcolm McDowall dials in another performance as the Trump-esque Chairman of the United Corporations of America who gets his bouffant comb-over in a twist when his four-time racing champion Frankenstein wants to retire from the ‘greatest pissing contest of mankind’ (aka the Death Race), which every citizen (now permanently unemployed) vicariously joins in via VR headsets.
Playing the man of many a spare part (and stepping into John Carradine’s black leathers) is Manu Bennett (TV’s Spartacus), who seems to be channelling Mel Gibson’s Mad Max as he sets off with his proxy Annie Sullivan (Marci Miller, Days of Our Lives) – who is secretly working for a resistance group – from Old New York to Los Angeles. But as they mow down ‘willing’ fans along the way to collect vital points, will trying to avoid some high calibre hospitality, hot on their tailgate is the genetically-modified superstar Jed Perfectus (Burt Grinstead), who’ll stop at nothing to beat them to the finish line…
This Wacky Races for the Trump era is a turbo-charged blast of popcorn fun that pays loving homage to the original (even down to the retro poster design), while also providing some thigh-slapping political satire by lampooning everything that is wrong with America today – from guns and religion to consumerism and social apathy.
Director GJ Echternkamp and co-writer Matt Yamashita inject loads of black humour into the film and its characters, who are great fun to cheer on or boo as they traverse America’s re-named cities and states like Upper Shitville (Baltimore), New Texxaco (Texas) and MeatPakistan (Kansas).
Amongst the racers are hip-hop star Minerva (Folake Olowofoyeku), whose latest hit song is ‘Drive… drive… drive… kill… drive…’; Tammy the Terrorist (Anessa Ramsey), a bible-bashing interfaith wack-job who is a ‘magnet for heathens’; and ABE, a KITT-like artificial intelligence who has an existential meltdown when he accidentally impales his sex-mad proxy to the hood of his bonnet.
Turning up the Roid Rage to warp factor 10 is Burt Grinstead as the sexually-ambiguous Perfectus, who reminded me of a closeted version of Gerrit Graham’s glam rocker Beef in 1974’s Phantom of the Paradise, while Yancy Butler (of Lake Placid and Witchblade fame) is the tough as nails Alexis, a former network programmer who now leads the resistance – a bunch of leather clad muscle boys. But for me, it’s Shanna Olsen who steals the show as the Hunger Games-styled news anchor Grace Tickle.
Among the many funny lines are ‘It’s hard to turn global famine into click bait’ and ‘I’ll drink your tears Frankenstein and lick them off your handsome face’, but the most chilling must be, ‘The world is fucking crazy, a sane person doesn’t stand a chance’. Considering what America is going through now, it might just be true…
The late-great Ib Melchior gets a credit at the end for it was his short story The Racer that inspired Corman’s original Rollerball rip-off in the first place… now, does anyone remember sales people?
Death Race 2050 is out on Blu-ray and Digital Download from Monday 20 March 2017
DID YOU KNOW? You can watch the original cult action film here – in full!
Multiple Maniacs (1970) | John Waters’ outrageously offensive Cavalcade of Perversion restored and on Blu-ray
Who knew that after nearly five decades in the cult underground, one of John Waters’ early homemade ‘celluloid atrocities’ would end up sitting alongside the works of Sergei Eisenstein, Ingmar Bergman and their kind? Well, his gloriously grotesque second feature Multiple Maniacs has achieved that rare feat thanks to an amazing restoration by Janus Films, who first brought world cinema to the American masses, and The Criterion Collection, who are now bringing their fantastic releases into the UK.
“Glorious . . . Can only be described as The Passion of the Christ on Quaaludes.”
The Hollywood Reporter
“Even the garbage is too good a place for it.”
Mary Avara, Maryland Board of Censors
Waters’ anarchic spoof on gore movies starred Divine (in his fourth Waters film) as Lady Divine, the crazed impresario of a performance art freak show in conservative Baltimore whose troupe of counterculture misfits use the show to rob their patrons.
When the sociopathic Lady Divine goes on the run after killing the latest arrivals to her debauched show, she’s sexually attacked by glue-sniffers and has anal sex in a church with a woman (Mink Stole) sporting a set of rosary beads before going on to commit more acts of atrocity – including devouring the internal organs of her ex-lover Dr David (David Lochary) who she kills for having an affair with another woman (Marty Vivian Pearce).
But the death of her prostitute daughter (Cookie Mueller) finally sends Lady Divine over the edge, resulting in her being raped by a giant lobster [spoiler alert!!!] before the National Guard take her out on a busy Baltimore street.
Made on a shoestring budget (funded by mum and dad Waters) and at the home where Waters grew up, Multiple Maniacs has become the transgressive director’s highest rated films (says Rotten Tomatoes) and an anarchic masterwork that the Pope of Trash has longed to see get a proper release.
After a screening of the last-ever 60mm print during a retrospective at Lincoln Center in New York in 2014, representatives of The Criterion Collection approached Waters about doing a restoration. Asked if he wanted to keep the film exactly as is, with all the mistakes included, Waters told them, ‘Are you kidding me? Make it look good!’ Having removed all the splice marks and dirt, Waters now describes his ‘celluloid atrocity’ as looking akin to ‘a bad John Cassavetes movie’. Joking aside, the restoration is truly astonishing given the film’s DIY nature – it was shot on an Arcon 0627 camera using reversal black and white film with the sound being recorded on a magnetic strip at the same time.
So did he go too far? Well, according to an interview he gave to The Guardian following a screening of the restored version, Waters said: ‘Of course I went a little too far! I did look at that rosary sex scene, at the people around me, and I could see the young audience in disbelief. At the same time, I think, how did I get away with this? How did any of this happen? Part of it was a time capsule. A very accurate picture of what my sense of humour, and what my friends were like at the time, which might scare some people. And in some ways, they should actually be scared of us.’ (1)
THE CRITERION COLLECTION RELEASE
• New 4K digital restoration, supervised by director John Waters, with uncompressed monaural soundtrack on the Blu-ray
• Audio commentary featuring Waters (Getting the lowdown on the movie from the horses mouth is truly hilarious and makes getting this release a must. I’ve actually listened to this twice now and can’t wait for round three).
• Interviews with cast and crew members Pat Moran, Vincent Peranio, Mink Stole, Susan Lowe and George Figgs
• Plus, an essay by critic Linda Yablonsky (not included with my screener).