Category Archives: Cult Film News
Unsung Horrors | From the makers of 70s Monster Memories comes another ‘giant’ must-read for Monster Kids
From the team behind last year’s sell-out tome 70s Monster Memories, Unsung Horrors is the latest film book for genre fans that’s being snapped by collectors as I write. Covering more than 200 (see the full list below) neglected, unappreciated or forgotten horror and fantasy films from the silents to the 1970s, this labour of love has been written by fans for fans, and is designed with a fantastic nostalgic nod over 448 pages packed with stills, posters and lobby cards. And to top it all, it comes with the blessing of Gremlins director Joe Dante.
Now, having contributed three articles to the book myself (The House That Screamed, The Last Man on Earth and Scream and Scream Again), I might be a little biased in saying that this is a MUST-HAVE in your cult film library. But don’t just take it for me, here’s what others have been saying… and once you have read these, you’ll find a handy link to purchase your copy while stocks last. And according to the book’s editor, Eric McNaughton, a second volume is currently being put together. Joy, oh joy!
‘This lavish new oversized softcover from the publishers of the British magazine We Belong Dead…. starts with Seven Deaths in the Cat’s Eye and goes on from there. Foreword by Joe Dante, no less, and the delightful cover art by Paul Garner makes the package literally irresistible.’ Tim Lucas, Video Watchdog
‘Simply put, if I were able to create something as worthy as Unsung Horrors I could die a happy man, secure in the knowledge that I introduced fans new and old to a wealth of gems they may never have otherwise encountered. Unsung Horrors cleared away decades of cobwebs and made me feel the same as I did way back in 1973 when I was eight years old and first saw A Pictorial History of Horror Movies.’ Ginger Nuts of Horror
‘The writers of these essays offer something that can’t be bottled or replicated through research (though there’s plenty of that as well): the collected knowledge of growing up watching genre movies. That horror fans should treat themselves to a copy of Unsung goes without saying. The best writers don’t require you to come in with a pre-existing love for a subject but, through their writing, spark an interest you never knew you had. That’s Unsung Horrors.’ That’s Not Current
‘In addition to well-researched retrospectives of films lurking in the darkest annals of horror history, there is an introduction from a man who needs no introduction – Joe Dante. The book is a follow-up to their Rondo-nominated best-seller 70s Monster Memories, which is now almost impossible to purchase as every copy sold out. Unsung Horrors will only be available for a limited time as well, so if you’re interested in the history of our beloved genre’s overlooked gems, it’s an essential pick-up.’ Dread Central
‘Those of you who were lucky enough to snap up a copy …. Monster Memories will know what to expect here – pages and pages and pages of lurid loveliness, packed with amazing pictures and informative text filled with friendly enthusiasm for our favourite subject…..this is easily the film book of the year.’ The Dark Side
‘Unsung doesn’t necessarily mean unknown, so aficionados will probably recognize many of these titles from browsing video store shelves, devouring specialty genre magazines, or stumbling upon a trailer within the depths of YouTube. The question to ask is: how many have you actually seen? Drawing from my own experience, more than a few are the types of films I’ve sworn I’ve watched only to realize that I merely read a synopsis on the back of a VHS cover without having rented the damn thing. There are, of course, a myriad of reasons these titles never got a fair shake: lack of audience interest upon release; maligned by critics; considered a minor work in a filmmaker’s oeuvre; shoved into a chasm of distribution hell; or simply didn’t fit the mold of their respective eras and vanished from consciousness. The purpose of Unsung Horrors is to acquaint readers with these titles that have been buried in some manner by time and neglect, unearthed here by fellow discerning devotees. While most of the films are not masterpieces by any stretch, they are worthy of rediscovery, at least in the hearts of the contributors who are moved to convince you of their value. Many are, in fact, masterpieces, and there are good arguments presented here in defense of their reputations. The point is, even among horror fans, these films are rarely discussed, and this book is a wonderful way to provoke reappraisal‘. Chris Hallock, Diabolique Magazine (READ THE FULL REVIEW HERE)
ORDER HERE: http://unsunghorrors.co.uk/
HOW MANY HAVE YOU SEEN? | THE FULL LIST OF UNSUNG HORRORS
Seven Dead In The Cat’s Eye
Goke – Body Snatcher From Hell
And Soon The Darkness
Levres de Sang
Lake of Dracula
The Black Cat
All The Colours Of The Dark
Galtiki – The Immortal Monster
The 7th Victim
Blood and Roses
The Monkey’s Paw
The Lost Continent
The Black Panther
Curse Of The Faceless Man
The Face at the Window
Murders In The Zoo
The Long Hair Of Death
The Living Skeleton
Behemoth The Sea Monster
The Green Slime
The Projected Man
Diary Of A Madman
The Castle Of The Fly
Damned In Venice
The Face Of Fu Manchu
House Of Mystery
The Frozen Dead
The Ghost Of Frankenstein
Seven Footprints To Satan
Dracula Pere Et Fils
Les Raisins De La Mort
The Haunted House Of Horror
Crypt Of The Living Dead
Four Flies On Grey Velvet
The House That Screamed
Jack The Ripper
Curse Of The Devil
IT! The Terror From Beyond Space
In Search Of Dracula
Kill Baby Kill
The Return Of Dracula
Children Of The Damned
The Beast With Five Fingers
A Study In Terror
Legend Of The Werewolf
Doctor Blood’s Coffin
The Living Dead At The Manchester Morgue
Day Of The Animals
The Shuttered Room
Lorna The Exorcist
Castle Of The Walking Dead
Man Made Monster
The Black Scorpion
Castle Of The Living Dead
Mother Rilley Meets The Vampire
The Tell-Tale Heart
The Vampire Bat
The Dark Eyes Of London
Mystery Of The Mary Celeste
Night Of The Seagulls
Atom Age Vampire
Race With The Devil
Cry Of The Werewolf
Werewolf Of London
The Perfume Of The Lady In Black
An Angel For Satan
The Devil Bat
The Black Belly Of The Tarantula
The Bat Whispers
Red Queen Kills 7 Times
Kingdom Of The Spiders
Revenge Of The Blood Beast
The Secret Of Dorian Gray
Horror Rises From The Tomb
The Loreley’s Grasp
The Snake Girl And The Silver-Haired Witch
Nothing But The Night
The Strange Door
The Virgin Of Nuremberg
The Legend Of Blood Castle
Devils Of Darkness
Murders In The Rue Morgue
The House With Laughing Windows
Who Can Kill A Child
The Alligator People
Blood From The Mummy’s Tomb
The Mask Of Fu Manchu
The House In Nightmare Park
Lizard In A Woman’s Skin
Terror Creatures From The Grave
The Last Man On Earth
The Devil Commands
The Legend Of Hell House
Scream And Scream Again
Twice Told Tales
The Undying Monster
Lady Morgan’s Vengance
The Student Of Prague
The Horrible Dr. Hichcock
Mill Of The Stone Women
Werewolf In A Girls’ Dormitory
The Fall Of The House Of Usher
Dr Pyckle And Mr Pryde
Le Testament Du Docteur Cordelier
The Dunwich Horror
Son Of Kong
The Queen Of Spades
The Hands Of Orlac
Tower Of Evil
Three Cases Of Murder
Murders In The Rue Morgue
What Have You Done To Solange
The Most Dangerous Game
Nightmare In Wax
Where Has Poor Mickey Gone..?
The Face Behind The Mask
The Naked Prey
Phantom Of The Paradise
The Devil’s Nightmare
Scream Blacula Scream
The Mummy’s Hand
El Baron Del Terror
The Curse Of The Living Corpse
The Incredible Melting Man
And Now The Screaming Starts
Damien Omen II
The Naked Jungle
House Of Horrors
The Four Skulls Of Jonathan Drake
The Man From Nowhere
Tombs Of The Blind Dead
Tower Of London
The Return Of The Vampire
One of the most iconic masterpieces in cinema history, Robert Wiene’s Das Cabinet des Dr. Caligari shook filmgoers worldwide and changed the direction of the art form.
Incalculably influential, the film’s nightmarishly jagged sets, sinister atmospheric and psychological emphasis left an immediate impact in its wake (horror, film noir, and gothic cinema would all be shaped directly by it).
Back in 2014, Eureka! released the definitive restoration on dual format as part of their Masters of Cinema Series, now the expressionist masterpiece is back in a special Steelbook Blu-ray edition, which includes the 2014 documentary, From Caligari to Hitler, a two-hour exploration of German Cinema during the Weimar Republic (1918-1933). Plus, there’s a host of brand-new bonus extras to savour.
WHAT’S IN THE BOX
• High-definition presentation, from the extensive FWMS restoration
• Option of Stereo and 5.1 surround scores
• Original German intertitles with optional English subtitles
• From Caligari to Hitler: German Cinema in the Age of the Masses
• You Must Become Caligari: Video essay by film critic David Cairns
• Exclusive audio commentary by film historian David Kalat
• Caligari: The Birth of Horror in the First World War: 52 minute documentary on the cultural and historical impact of the film
• On the Restoration: three short video pieces on the film’s restoration
• Trailer for the release of the new restoration of the film
• Booklet featuring vintage writing on the film by Lotte H Eisner; an original Variety review of the film; and rare archival imagery
SCREAM With Guests From The “Other World” When You Ring For DOOM SERVICE!
Professor Driscoll (Christopher Lee), is an authority on the occult who persuades one of his students (Venetia Stevenson) to research his hometown, Whitewood, once the site of witch burnings in the 17th century. Booking herself into the Raven’s Inn, she soon learns that devil worship among the locals hasn’t been consigned to the past…
Produced by future Amicus founders Milton Subotsky and Max Rosenberg, and beautifully shot by Desmond Dickinson (whose credits ranged from Laurence Olivier’s Hamlet to Horrors of the Black Museum), The City of the Dead (aka Horror Hotel) is a wonderfully atmospheric and still shocking slice of horror that stands firmly alongside with its Hammer contemporaries.
SPECIAL EDITION CONTENTS
• New 4K digital restoration by the Cohen Film Collection and the BFI
• High Definition Blu-ray (1080p) and Standard Definition DVD presentations of two versions of the film: The City of the Dead and the alternative US cut, Horror Hotel
• Uncompressed Mono 1.0 PCM Audio
• Optional English subtitles for the deaf and hard of hearing
• Audio commentary by film critic Jonathan Rigby
• Newly commissioned artwork by Graham Humphreys
• First pressing only: Illustrated collector’s booklet featuring new writing by Vic Pratt
Crawling, Crushing Colossus of Terror!
A team of archaeologists led by Dr John Fielding (John Merivale, Circus of Horrors) descends on the ruins of an ancient Mayan city to investigate the mysterious disappearance of its inhabitants. However, the luckless explorers get more than they bargained for when their investigation of a sacrificial pool awakens the monster that dwells beneath its waters – the fearsome and malevolent god Caltiki.
Though Riccardo Freda received sole directing credit, a significant portion of the film was in fact the work of Mario Bava, who also served as its cinematographer and was responsible its striking special effects. Drawing on a diverse array of influences, from The Quatermass Experiment to the works of HP Lovecraft, Caltiki the Immortal Monster is a unique and unforgettable sci-fi chiller which showcases these two legendary filmmakers at their most inventive.
SPECIAL EDITION CONTENTS
• Brand new 2K restoration of the film from the original camera negative
• High Definition Blu-ray (1080p) and Standard Definition DVD presentations
• Original mono Italian and English soundtracks (lossless on the Blu-ray Disc)
• Newly translated English subtitles for the Italian soundtrack
• Optional English subtitles for the deaf and hard of hearing for the English soundtrack
• Audio commentary by Mario Bava biographer Tim Lucas
• Audio commentary by Italian Giallo cinema author Troy Howarth
• From Quatermass to Caltiki: a new discussion with author and critic Kim Newman
• Riccardo Freda, Forgotten Master: an archival interview with critic Stefano Della Casa
• The Genesis of Caltiki: archival interview with filmmaker Luigi Cozzi
• Archival introduction to the film by Stefano Della Casa
• Alternate opening titles for the US version
• Newly commissioned artwork by Graham Humphreys
• First pressing only: Illustrated collector’s booklet featuring new writing by Kat Ellinger and Roberto Curti
Assault On Precinct 13 (1976) | John Carpenter’s cult action thriller gets a 40th anniversary blu-ray release
Violent, stylish and suspenseful, John Carpenter’s 1976 cult action thriller updates the plot of the 1959 John Wayne Western, Rio Bravo, to a modern setting in an LA ghetto.
Blaxploitation legend Austin Stoker is dogged lawman Lieutenant Ethan Bishop who takes command of a soon-to-be-mothballed police station on the night a street gang seeks vengeance over the violent deaths of four of its members in a police shoot-out.
With just two clerical staff (Laurie Zimmer and Nancy Loomis) and three convicts – including convicted Napoleon Wilson (Darwin Joston) – to help him defend the station, Bishop prepares to face the growing numbers of gang members gathering outside…
‘Discovered’ by British audiences at the London Film Festival, Carpenter’s second film went on to become a cult sensation, and so pleased was he with the way that the UK distributor – one Michael Myers – handled the movie that he ended up naming the psycho killer in his follow-up master stroke, Halloween, in his honour.
Boosted by a terrific and hugely influential synth-heavy score, well-rounded characters, and visually arresting set-pieces (the Vanilla Twist ice cream scene with future Real Housewives of Beverly Hills star Kim Richards is a stand out), Carpenter’s seminal film remains a textbook example of how to make a low budget stretch a very long way, and puts that 2005 remake in the shade.
To celebrate its 40th anniversary, Second Sight is releasing a newly restored high definition version from a 1080p transfer in a Blu-ray box set, packed with special features including an early John Carpenter student short, as well as the original soundtrack CD and art cards, and is set for release on 28 November (along with a DVD version and On Demand. Check out the full specs below.
And if you want a chance of WINNING A BLU-RAY, then CLICK HERE TO ENTER
WHAT’S IN THE BOX?
• DTS-HD Master Audio 5.1 and Uncompressed PCM original mono audio options
• Return to Precinct 13: A new Interview with Austin Stoker
• Producing Precinct 13: A new interview with Joseph Kaufman
• Filmmaking with John: A new interview with Tommy Lee Wallace
• Interview with John Carpenter and Austin Stoker
• The Sassy One with Nancy Loomis
• Audio commentaries with John Carpenter and Tommy Lee Wallace
• Captain Voyeur: John Carpenter student short (Blu-ray exclusive)
• Do You Remember Laurie Zimmer: documentary film (Blu-ray exclusive)
• Five art cards (Limited Edition box set exclusive)
• CD soundtrack disc (Limited Edition box set exclusive)
• Radio spots
Burnt Offerings (1976) | Why does Dan Curtis’ American Gothic haunted house chiller still frighten me so?
This is the face of the man who scared the bejesus out of my 12-year-old self… and he’s coming back to haunt me once again with Arrow’s HD release of Dan Curtis’ 1976 horror Burnt Offerings – coming out tomorrow (17 October).
Ben (Oliver Reed) and Marian (Karen Black) can’t believe their luck when they rent a vast country mansion for just $900 for the entire summer. All they have to do is look after the house as if it was there own – and to take a daily tray up to the elderly and reclusive Mrs Allardyce.
But as they settle in with their son Davey (Lee Montgomery) and Ben’s beloved aunt Elizabeth (Bette Davis), the house begins to exerts a dark influence on the inhabitants – especially Marian, who becomes obsessed with the unseen old lady at the top of the stairs.
As more strange occurrences take place, it soon becomes evident to Ben that the house is an evil living presence… Can he convince Marian to leave with the family before its too late?
Burnt Offerings is one of the most underrated chillers of all-time. Co-written, produced and directed by the legendary Dan Curtis (Dark Shadows, Trilogy of Terror), and adapted from the 1973 Robert Marasco novel by Logan’s Run author William F Nolan, its a rare thing indeed: being subtle in its horror, featuring a standout cast, and spinning social commentary in its inventive take on the old haunted house story: one in which the viewer becomes an unwitting voyeur as the family firstly fall under the house’s spell, then slowly being consumed by it.
There are scenes that have haunted me for decades: like the rough house play between father and son in the swimming pool that turns deadly dangerous, the house shedding its old shingles as it rejuvenates itself, and that grinning ghostly chauffeur that haunts Ben’s visions. The fact that the chauffeur was the spitting image of my own dad only added to my own nightmares. And don’t start me on that chimney…
From the cameos by Burgess Meredith and Eileen Heckart to child actor Lee Montgomery, everyone in the cast is brilliant, especially scary-eyed Karen Black whose transformation into the house’s clean-freak servant (in Victorian gothic garb, of course) is genuinely disturbing. But for me, it’s Bette Davis who really impresses. Watching her carefree, chain-smoking Aunt Elizabeth wither away before our eyes is terribly sad and truly terrifying.
It’s been decades since I first saw Burnt Offerings, and revisiting it, I prayed that I would not be disappointed. Thankfully I wasn’t. If anything, I’ve learned to appreciate it even more as it’s not only an excellent exercise in creeping terror, it also has an insightful underlying theme about the destruction of the American Dream in possessing material things.
THE ARROW SPECIAL FEATURES
• High Definition Blu-ray and Standard Definition DVD presentation of the feature, transferred from original film elements by MGM. (This is the same print as the Kino Lorber release, and looks terrific. It’s so pristine, you can practically feel the sweat and blood pouring off poor Ollie Reed, and the shadowy cinematography really shines).
• Original uncompressed PCM mono audio.
• Optional English subtitles.
• Audio commentary with Dan Curtis, Karen Black and William F Nolan. I’m so going to nominate this for a Rondo. It’s not only informative and insightful, it’s an important historical record as both Dan Curtis and Karen Black are no longer with us.
• Audio commentary with film critic Richard Harland Smith. (After hearing Curtis and co, I haven’t really bothered with this… as yet).
• Acting His Face: Interview with actor Anthony James (aka that scary chauffeur).
• Blood Ties: Interview with actor Lee Montgomery. This is what I sought out first after revisiting the movie, and its great to hear about Lee’s experiences of working with theatrical giants like Bette Davis (who took him under her wing) and Oliver Reed (who got him drunk).
• From the Ashes: Interview with screenwriter William F Nolan (this guy is legend)
• Animated gallery
• Collector’s booklet (first pressing only).
Three years since his sell out appearance at London’s Union Chapel, legendary horror composer Fabio Frizzi returns with a show that will include new orchestrations of his scores for the cult films by Lucio Fulci. For the first time he’ll also explore his work outside of his collaboration with the legendary Italian director. Expect a heady dose of prog-rock and funk vibes all set against a backdrop of legendary film clips and shocking visuals…
To mark the 40th anniversary of the UK release of director Nicolas Roeg’s iconic sci-fi, The Man Who Fell to Earth, a new director’s approved 4k restoration is being released into London cinemas on 9 September, with a Collector’s Edition Blu-ray and DVD following on 24 October.
Featuring a career defining lead performance from David Bowie and based on the cult novel by Walter Tevis, The Man Who Fell to Earth endures as, not only a bitingly caustic indictment of the modern world but, also, a poignant commentary on the loneliness of the outsider.
Friday 9 September has been declared a one-off David Bowie day by Curzon Soho as part of their campaign to save the cinema from demolition. After a special Save Curzon Soho edition of David Bowie Is Walking In Soho tour of the Thin White Duke’s locations, you can enjoy a special screening of The Man Who Fell to Earth introduced by its costume designer May Routh. Book tickets here.
Meanwhile, over in Hackney on the same night, Oscar-winning Director Danny Boyle introduces a special screening at Hackney Picturehouse. This is one of his favourite films and he has often sited Nicolas Roeg as a key influence on his career (he even referred to the film in the London Olympic opening ceremony). Book tickets here.
For more on the Collector’s Edition release, check out: www.facebook.com/vintageclassicsfilm
And there’s more… The original soundtrack album will be released for first time on CD on 9 September and on vinyl on 28 October; while the musical Lazarus, inspired by Walter Tevis’ novel, debuts at the Kings Cross Theatre, London from 25 October. Check it out here: lazarusmusical.com. Plus, a book on the making of the film, limited to just 1000 copies, is available for pre-order from 27 August: www.themanwhofelltoearth.co.uk
Now it its 17th year, FrightFest will see 62 new features screening at its new home at the Vue Cinema at Shepherd’s Bush, West London, next week (25-29 August). I’ll be there throughout the weekend not only to see as much as I can (and get my retinas burned in the attempt), but also to promote the first officially licensed Vincent Price Ale in the UK – Black Cat, which is sponsoring FrightFest’s big director’s lunch, and whose label has been designed by FrightFest’s resident poster artist Graham Humphreys. I’ll also be posting my thoughts of each day’s offerings here each day.
Here’s what’s on offer….
The opening night attraction is the European Premiere of MY FATHER DIE, Sean Brosnan’s brutal and beautiful feature debut – an ultra-stylish, über violent revenge thriller that’s a calling card for Brosnan’s brilliant talents. And our closing night film is another breakneck paced masterpiece – the UK Premiere of TRAIN TO BUSAN, so join ‘The Commuting Dead’ as director Sang-ho Yeon takes you on a first class horror action thrill-ride, mixing slaughter, suspense and splatter with incredible visual élan.
In between these two banner titles are the scream of the crop from all over the globe, strongly represented in our line-up of World Premieres by the incredible Italian supercar tension-ratcheting MONOLITH, the gory Dutch treat THE WINDMILL MASSACRE, the stunning South African nightmare FROM A HOUSE ON WILLOW STREET, Tricia Lee’s creepy Canadian chiller BLOOD HUNTERS and three American shock absorbers KNUCKLEBONES, ENCLOSURE and the Eurotrashy radical BLOOD FEAST remake.
Reflecting a productive year for British horror, there are twelve UK World Premieres, including Shaun Robert Smith’s intensely powerful BROKEN, Jon Ford’s visceral revenge thriller OFFENSIVE, Wyndham Price’s dark fantasy CROW, Kate Shenton’s auto-satire EGOMANIAC, Ben Parker’s claustrophobic THE CHAMBER, Marty Stalker’s shock-doc HOSTAGE TO THE DEVIL and Andy Edward’s sun, sea and sex gore-fest IBIZA UNDEAD.
Five of the UK World Premieres make up the ‘First Blood’ strand, in which home-based directors are given a chance to shine with their debut efforts. These are: Phillip Escott’s harrowing CRUEL SUMMER, Brad Watson’s urban gang shocker HALLOW’S EVE, James Crow’s deadly HOUSE OF SALEM, Stewart Spark’s 666 Short Cuts To Hell entry THE CREATURE BELOW and Lawrie Brewster’s PTSD-inspired THE UNKINDNESS OF RAVENS.
Other festival highlights in the Main Screen strand include the European Premiere of Adam Wingard’s intense chiller of the moment, THE WOODS. destined to be one of the key horrors of 2016. We also have this year’s most ferocious possession movie in Cody Calahan’s LET HER OUT, as well as Todd William’s superb Stephen King adaptation CELL, starring John Cusack and Samuel L. Jackson. Then there is the top box office Italian sensation THEY CALL ME JEEG ROBOT, Adam Rifkin’s tour-de-force DIRECTOR’S CUT, starring Penn Jillette, Rob Zombie’s ultra-violent grindhouse slasher 31, ‘Saw’ man Darren Lynn Bousman’s graphic novel inspired ABBATOIR, Simon Rumley’s latest visionary masterpiece JOHNNY FRANK GARRETT’S LAST WORD, Jackson Stewart’s supernatural switcheroo BEYOND THE GATES, the zombie theme park hell ride THE REZORT, the full-blooded cracker RED CHRISTMAS, the cryogenic chiller REALIVE, the home invasion twister MERCY, the darkly unpredictable PET, starring Dominic Monaghan and the beguilling THE MASTER CLEANSE, with The Big Bang Theory’s Jonny Galecki and Anna Friel.
South America is rapidly becoming a major genre player and FrightFest is proud to be presenting seven specialities from Argentina, Chile, Brazil and Mexico. Daniel de la Vega’s WHITE COFFIN is co-written by FrightFest favourite Adrian Garcia Bogliano, Laura Casbe’s BENAVIDEZ’S CASE stretches surrealist boundaries, Patricio Valladares’ DOWNHILL mines H. P. Lovecraft for inspiration, THROUGH THE SHADOW puts Henry James’ classic tale of terror ‘The Turn of the Screw’ through a south of the border filter, THE SIMILARS is pure ‘Twilight Zone’ inspiration, FRANCESCA a thrilling Buenos Aires take on giallo and WE ARE THE FLESH comes with serious artistic endorsements from fellow Mexican filmmakers Alfonso Cuaron and Alejandro G. Iñárritu.
The Discovery Screen strand is as bold as ever and includes a restored version of Shelden Renan’s controversial documentary THE KILLING OF AMERICA, Anna Biller’s gloriously art-directed THE LOVE WITCH, the cursed silent movie FURY OF THE DEMON, the Berlin Film Festival break-out, SHELLEY, the visionary sci-fi fantasy LOST SOLACE and the darkly hilarious ghost-busting ANOTHER EVIL. Then there’s Julian T. Pinder’s chilling murder investigation POPULATION ZERO, Martin Owen’s High-tec underground thriller terror LET’S BE EVIL, Tim Reis’ slimy creature feature BAD BLOOD: THE MOVIE and Michael Boroweic’s acute study of alien paranoia, MAN UNDERGROUND.
Plus, you can witness the stag party from hell in THE UNRAVELLING, the bad taste shenanigans of NIGHT OF SOMETHING STRANGE, , the viral thrills of THE EVIL IN US, the vehicular chills of PARANORMAL DRIVE, the die-hard dystopia of HERE ALONE, the eye-popping shocks of FOUND FOOTAGE 3D, and the ‘goriously’ insane ATTACK OF THE LEDERHOSEN ZOMBIES.
Ahead of its FrightFest Presents DVD release, there is an encore airing for ROAD GAMES, this time with a live interactive commentary with director Abner Pastoll and a London premiere for one of the most popular movies shown earlier this year at FrightFest Glasgow, Sean Byrne’s THE DEVIL’S CANDY.
The Duke Mitchell Film Club is also back with the UK premiere of Kim Sang-Chan’s outrageously infectious KARAOKE CRAZIES and a first showing of all three episodes of the mesmerising French TV mini-series BEYOND THE WALLS.
For passes and tickets, check out: http://frightfest.nutickets.com
For the full schedule: http://www.frightfest.co.uk/2016films/schedule.html