Category Archives: Must-See

The System (1964) | Michael Winner’s dark drama starring Oliver Reed on Blu-ray

From Indicator comes the limited edition World Blu-ray premiere of Michael Winner’s 1964 drama, The System.

The first film on which star Oliver Reed and director Michael Winner collaborated (they later made The Jokers, I’ll Never Forget What’s ‘Is Name and Hannibal Brooks ), this is a bitter little essay on class and youth that deserves more recognition.

Reed plays Tinker, a photographer based in the fictional Devon seaside town of Roxham who, each summer, passes on the names of holidaymakers and local lasses to his out-of-towner mates – for a fee, of course. It’s all a bit of harmless fun, but his system turns sour when he tries to woo Nicola (Jane Merrow), the daughter of a wealthy local businessman…

Making great use of the coastal locations (including Brixham Harbour, Paignton Beach and Torquay) and gloriously shot (in black and white) by Nicolas Roeg, The System features a plethora of embryonic British talent, including John Alderton, Derek Nimmo and David Hemmings – who all looking incredibly slim and youthful, while Harry Andrews turns in a powerful character study as a surly photo-shop owner. Reed is perfectly cast here as the ‘Girl-Getters’ leader, and imbues his Tinker with great depth (plus a bit of own notoriously wild personality); while Jane Merrow brings an icy coolness to her fiercely independent heroine that will make you sit up a take notice.

On a trivia note, it was this film that first popularised the word ‘grockle’ – West Country slang for a tourist; and ‘boy!’ do screenwriter Peter Draper and director Michael Winner have great fun taking the mickey out of the stereotypes of the day (who favoured baggy clothing with handkerchiefs on their heads). Randall and Hopkirk (Deceased)’s Mike Pratt wrote the catchy theme tune, which is sung by the Merseybeat combo, The Searchers. Winner’s previous film before this was West 11 (read my review here).

• High Definition remaster
• Original mono audio
• Audio commentary with film historians Thirza Wakefield and Melanie Williams
Getting the Girl (2019, 18 mins): interview with actor Jane Merrow
Drinking and Dancing (2019, 6 mins): interview with actor John Porter-Davison
Fun and Games (2019, 4 mins): interview with actor Jeremy Burnham
Haunted England (1961, 24 mins): Winner’s Eastmancolor travelogue about stately homes and other famous places with ghostly tales to tell, hosted by broadcaster David Jacobs
• Image gallery
• New and improved English subtitles
• Collector’s booklet with essays on the film and Haunted England, contemporary critical responses, and film credits.



The Golem: How He Came into the World | Paul Wegener’s 1920 silent horror classic on Blu-ray

From Eureka Entertainment comes Paul Wegener and Carl Boese’s iconic silent German horror masterpiece, Der Golem (1920), as part of The Masters of Cinema Series for the first time on Blu-ray in the UK, from a brand new 4K restoration on 18 November 2019.

In the Jewish ghetto in 16th century Prague, Rabbi Low (Albert Streinruck) creates a clay Golem (Wegener) to protect his people from tyrannical Emperor Luhois (Otto Gebuhr). Brought to life with an arcane incantation to the demonic spirit Astaroth and an amulet placed in the centre of the creature’s chest, the Golem begins performing acts of great heroism. But when the Rabbi’s assistant (Ernst Deutsch) attempts to control the Golem for selfish gain, it becomes a terrifying force of destruction…

A landmark film in the horror canon, influencing most notably James Whale’s 1931 adaptation of Frankenstein, Der Golem, wie er in die Welt kam (aka The Golem: How He Came into the World) as Paul Wegener’s third attempt at adapting the Golem character for the big screen, the other two being The Golem (1915) and the short comedy The Golem and the Dancing Girl (1917).

Based on Gustav Meyrink’s 1915 novel, it serves as prequel to the lost 1915 film and is an important contribution to the golden age of Weimar Cinema. The film’s Plastic Expressionist interpretation of Prague’s labyrinthine medieval Jewish ghetto (after the shapes and textures used in the sets) was designed by famed architect Hans Poelzig, while the interiors were executed by Poelzig’s future wife, sculptor Marelen Moeschke.

Behind the camera, meanwhile, was Karl Freund, who would go on to lens Fritz Lang’s Metropolis (1927), before emigrating to the US, where he would famously helm Universal’s 1930s horror classics, Dracula, The Mummy and Mad Love (which all benefit from a touch of German Expressionism).

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The Masters of Cinema Series presents the film in its UK debut on Blu-ray from a brand new 4K restoration, with the following special feartures…

• Limited Edition O-Card Slipcase (First 2000 copies)
• Presented in 1080p from a stunning 4K digital restoration of the original film negatives, completed by FWMS in 2017
• Original German intertitles with optional English subtitles
• Option of three scores, by composer Stephen Horne; electronic music producer Wudec; and musician and film-score composer Admir Shkurtaj
• Brand new and exclusive audio commentary by Scott Harrison
• Brand new and exclusive video essays by critic David Cairns and filmmaker Jon Spira (Elstree 1976)
The Golem [60 mins]– The US version of the film, also fully restored, and featuring a score by Cordula Heth
• A video piece highlighting the differences between the domestic and export negatives of the film [22 mins]
• Collector’s booklet featuring new writing on the film by Scott Harrison; and reprints of illustrations from the original 1915 novel

Order from: Eureka Store or Amazon

They Made Me a Fugitive | The 1947 British film noir starring Trevor Howard and Sally Gray on Blu-ray

This 1947 British crime thriller (which was called I Became a Criminal in the US) was pretty brutal in its day. Trevor Howard plays Clem Morgan, a RAF officer tempted into the underground world of black-marketeering on demob and ultimately helped by Sally, the discarded mistress of his psychopathic gangland boss (Griffith Jones). She’s played by Sally Gray, just then returned to movie-making following a five-year rest after suffering a breakdown due to pressure of work. Most striking here, Gray would go on to make four more sterling melodramas before retiring in 1952 following her marriage to Dominick Browne, the 4th Baron Oranmore and Browne.

The film’s gritty, poetic urban realism is justly realised by Brazilian-born director Alberto Cavalcanti (credited as Cavalcanti here) who had spent seven years at the British GPO Unit working on documentary projects like 1937’s Night Mail, before joining Ealing Studios where he helmed the first sound screen adaptation of the Dickens novel Nicholas Nickleby and co-directed the horror anthology classic Dead of Night (1945). The striking noir cinematography (of Crabtree Lane in Fulham, Limehouse and Dartmoor) is by Otto Heller, whose later credits would include Peeping Tom (1960) and The Ipcress File (1965).

Indicator’s UK Blu-ray premiere of They Made Me a Fugitive is accompanied by two rare short films, made during Howard’s own time in the RAF during WWII, and the following special features.

• 2K restoration by the British Film Institute
• Original mono audio
• The John Player Lecture with Alberto Cavalcanti (1970, 62 mins): archival audio recording of the celebrated director at London’s National Film Theatre, including an audience Q&A with fellow filmmakers Michael Balcon, Paul Rotha and Basil Wright
After Effects (2019, 29 mins): appreciation by author and film historian Neil Sinyard
About the Restoration (2019, 14 mins): the BFI’s Kieron Webb discusses the process of restoring the film
Squaring the Circle (1941, 33 mins): dramatised Royal Air Force training film, starring Trevor Howard in his first known film role
The Aircraft Rocket (1944, 9 mins): extract from a multi-part RAF technical film, featuring Howard
• Image gallery
• New and improved English subtitles
• Collector’s booklet with a new essay by Nathalie Morris, extracts from Cavalcanti’s Film and Reality, a 1970 article on Cavalcanti by Geoffrey Minish, an overview of contemporary critical responses, Anthony Nield on the wartime films of Trevor Howard, and film credits

Cruising | William Friedkin’s controversial gay serial killer thriller gets a director-approved restoration

William Friedkin directs Al Pacino as an undercover cop pitched into New York’s gay underworld in Cruising – available for the first time on Blu-ray in a brand new director-approved transfer from Arrow Video.

New York is caught in the grip of a sadistic serial killer who is preying on the patrons of the city’s fetish clubs. Captain Edelson (Paul Sorvino) tasks young rookie Steve Burns (Pacino) with infiltrating the S&M subculture to try and lure the killer out of the shadows – but as he immerses himself deeper and deeper into the underworld, Steve risks losing his own identity in the process.

Taking the premise and title from reporter Gerald Walker’s 1970 novel, Cruising was the subject of enormous controversy at the time of its release (filming and screenings were picketed by sections of the gay community) and remains a challenging but deeply powerful thriller to this day, with Pacino’s haunted lead performance as its magnetic centrepiece.

It is also still the only Hollywood feature to shine a light on the gay fetish scene – just before another deadly killer struck the community – AIDS – with all of the poppers-fuelled club action being shot on location in New York’s Meat Packing District, with the club’s members all consensually appearing as themselves in the film’s most notorious scenes.

• Brand new restoration from a 4K scan of the original camera negative supervised and approved by writer-director William Friedkin
• High Definition Blu-ray (1080p) presentation
• Newly remastered 5.1 DTS-HD Master Audio supervised by William Friedkin
• Optional English subtitles
• New audio commentary with director William Friedkin, moderated by Mark Kermode (PF: An incisive look at the film’s production, themes and legacy, this is a must-listen and will make you want to watch the film all over again with fresh eyes and ears — I never knew how important the sound effects were or that there are subliminal shots of anal sex inserted in the murder sequences — and Friedkin also clears up a few long-asked questions, including the supposed lost footage and what that closing shot really means)
• Archival audio commentary by William Friedkin (PF: Having listened to the moderated commentary first, where Kermode bounces off ideas off Friedkin, I found this a bit too scripted – though its still insightful)
The History of Cruising: archival featurette looking at the film’s origins and production
Exorcising Cruising: archival featurette looking at the controversy surrounding the film and its enduring legacy
• Original Theatrical Trailer


Marlene Dietrich & Josef von Sternberg at Paramount (1930-1935) | Six stunning classics from Hollywood’s Golden Age

The collaboration between filmmaker Josef von Sternberg and actress Marlene Dietrich is one of the most enduring in all Hollywood cinema.

Tasked by Paramount bosses to find ‘the next big thing’, director von Sternberg lighted upon German silent star Dietrich and brought her to Hollywood. Successfully transitioning from the silent to the sound era, together they crafted a series of remarkable features that expressed a previously hitherto unbridled ecstasy in the process of filmmaking itself – Morocco (1930), Dishonored (1931), Shanghai Express (1932), Blonde Venus (1932), The Scarlet Empress (1934), and The Devil Is a Woman (1935).

Marked by striking cinematography, beautiful design and elaborate camerawork these vibrantly sensuous films redefined cinema of the time, while Dietrich’s sexually ambiguous on-screen personas caused a sensation and turned her from actor to superstar and icon.

Lavish, lascivious and wildly eccentric, the films Josef von Sternberg and Marlene Dietrich made for Paramount Pictures in the 1930s provide a unique testimony to Hollywood’s Golden Age.

The six films that von Sternberg made with Dietrich in Hollywood are presented here in new restorations on Blu-ray for the very first time in the UK. Containing a wealth of new and archival extras – including new appreciations, interviews, audio commentaries, rare films, outtakes and deleted audio, documentaries… and more!

Indicator/Powerhouse Film’s Limited Blu-ray Edition Box Set (6,000 units), which includes a 120-page collector’s book, is out on 26 August 2019

Morocco (1930)
Marlene Dietrich’s first American film cast her as the singer and adventuress Amy Jolly, ensnaring then being ensnared by legionnaire Gary Cooper. Brilliantly shot by Lee Garmes, whose work was nominated for an Oscar, Morocco is a film of shadows and shimmering heat, painstakingly directed for maximum effect. Marlene never looked more alluring, and sings three songs, including When Love Dies, in which she plants a kiss on a female club patron while dressed in a man’s top hat, white tie and tails. A trailblazing box-office success.

• 2K restoration
• Original mono audio
Morocco audio commentary with Daughters of Darkness’ Samm Deighan and Kat Ellinger
• Introduction by Nicholas von Sternberg, son of Josef von Sternberg
The Art of Josef von Sternberg (2019): Nicholas von Sternbergon his father’s works in painting and sculpture
The Legionnaire and the Lady (1936): Lux Radio Theatre adaptation featuring Dietrich and Clark Gable
• Image gallery

Dishonored (1931)
This spy film, based loosely on the Mata Hari story, is probably the least distinguished of Dietrich and von Sternberg’s collaborations, but its camp plot and extravagant central performance along with the director’s impressive visual style (look out for his trademark and ever-present veils, nets, smoke and fog between actors and the camera) mark it down as an offbeat gem. Victor McLaglen is badly miscast as Dietrich’s lover (and his constant teeth gritting is really annoying), but Dietrich (as the alluring agent X-27, who breaks codes with piano music) is the whole picture, and she looks truly radiant, even in her first ever non-glamorous scenes where she plays a peasant girl with her hair scraped back and totally devoid of make-up.

• 4K restoration
Original mono audio
• Introduction by Nicholas von Sternberg, son of Josef von Sternberg
Josef von Sternberg, a Retrospective (1969): feature-length television documentary by the acclaimed Belgian director Harry Kümel
I Did Why He Told Me To Do: New video essay by film historian Tag Gallagher on the Hollywood collaborations of Dietrich and von Sternberg
• Image gallery

Shanghai Express (1932)
‘It took more than one man to change my name to Shanghai Lily,’ drawls Marlene Dietrich in one of cinema’s classic lines, and so the scene is set for an atmospheric adventure that’s like Grand Hotel on rails. Lee Garmes’ amazing photography won an Oscar and Dietrich’s sultry siren is enough to make even army doctor Clive Brook’s stiff upper lip quiver and put Warner Oland’s fiendish rebel leader Henry Chang off his chow mein. My other favourite line is: ‘I wouldn’t trust you from here to the door’.

• 4K restoration
Original mono audio
• Introduction by Nicholas von Sternberg
• Audio commentary with critic and film historian David Thompson
Trouble in Hollywood: Interview with Jasper Sharp, writer and filmmaker, on the life and career of Anna May Wong
• Image gallery

Blonde Venus (1932)
Shimmeringly photographed by Bert Glennon, Dietrich plays a German café singer whose search for money to pay for her husband’s medical bills leads her into adultery in this this soapy and rather camp melodrama. One particularly memorable scene has Dietrich attired in a gorilla suit to sing Hot Voodoo, while another sees her drag up in a white tuxedo to sing I Couldn’t Be Annoyed. Herbert Marshall (The Fly) plays her estranged chemist husband, while Cary Grant is the millionaire third man who turns out to have a real heart of gold, and little Dickie Moore (Our Gang) plays her naive, but adorable son.

• 4K restoration
Original mono audio
• Introduction by Nicholas von Sternberg
• Audio commentary with film and arts critic Adrian Martin
Dietrich, A Queer Icon: Interview with So Mayer, author of Political Animals: The New Feminist Cinema, on the queer iconography and legacy of Dietrich and von Sternberg’s films
• Image gallery

The Scarlet Empress (1934)
Dietrich scorches the screen as the 18th-century Empress of Russia, Catherine the Great in this dazzling display of style. Costume, spectacle and camerawork is the order of the day here, with Bert Glennon excelling in this last department. Watch out for Sam Jaffe, who is quite amazing as the ‘mad’ Grand Duke Peter.

• 4K restoration
Original mono audio
• Introduction by Nicholas von Sternberg
• Audio commentary with writer and film programmer Tony Rayns
The Twilight of an Angel (2012): Dominique Leeb’s acclaimed French TV documentary on Dietrich’s final years
• Image gallery

The Devil Is a Woman (1935)
This is von Sternberg’s ultimate tribute to the Marlene Dietrich mystique that he himself helped to create. Dietrich’s personal favourite, the sumptuous, steamy melodrama, set in 1890s Spain, sees her playing a seductive femme fatale bewitching a string of men, including Lionel Atwill and Cesar Romero (who replaced Joel McCrea after one day’s filming). The same story was the basis for Luis Buñuel’s That Obscure Object of Desire.

• 4K restoration
Original mono audio
• Introduction by Nicholas von Sternberg
The Fashion Side of Hollywood (1935): a short compilation film of lighting and costume tests from Paramount productions, and featuring costume designer Travis Banton
Styling the Stars: New interview with Nathalie Morris, film historian and senior curator of the BFI National Archive’s Special Collections, on the costume designs of Travis Banton
If It Isn’t Pain (1935, 3 mins): excised audio of the deleted musical number from The Devil Is a Woman

Blood & Flesh The Reel Life & Ghastly Death of Al Adamson (2019)

From his early years as the son of silent screen star parents, through the production of some 30 low budget exploitation pictures from the early-1960s through the early 1980s to his bizarre and tragic death, the story of American filmmaker Al Adamson (25 July 1929 – 21 June 1995) is told through the recollection from colleagues, friends, family and Adamson himself. Go-go dancers, bikers, porn stars – even Charles Manson and aliens all cross Al’s path before he himself becomes the doomed centre piece of a true crime story. Welcome to director David Gregory’s Blood & Flesh The Reel Life & Ghastly Death of Al Adamson.

If you recognise titles like Horror of the Blood Monsters, Satan’s Sadists, Dracula vs. Frankenstein and Brain of Blood, then you’re probably already familiar with the bargain basement schlocky horror oevure of Adamson. Actually, no genre was safe from Al’s guerrilla-style approach to making disposable programme fillers as he just loved to make films and make a buck doing them. And he often used the same crew (many getting their first start in the business like László Kovács (Easy Rider), Gary Graver (The Toolbox Murders) and Vilmos Zsigmond (The Deer Hunter) and gave some veteran Hollywood actors their final pay cheques, including alcoholics Lon Chaney Jr and Broderick Crawford and the one-eyed, wheelchair bound J Carroll Naish (you’ll be crying with laughter at his story). He even married his muse, Regina Carroll, who appeared in many of his films until her early death, aged 49 (from cancer) in 1992.

In the first two thirds of documentary, Gregory interviews over a dozen interviewees with close ties to Adamson’s life and work who all provide some colourful anecdotes, most notably producer Samuel M Shepard who reveals how he and Al extended the life of their tacky low-rent films by reissuing them with new titles and added scenes (along with the fantastically lurid poster art that was always way better than the films themselves), and cashing on the latest genre crazes of the day, like Blazing Stewardess (1975) in the wake of the success of Mel Brooks’ Blazing Saddles. He also spins a fantastic yarn about Al’s obsession with UFOs and an encounter that may or may not be believed.

Now, you know the old saying – Truth is stranger than fiction? – well that’s certainly the case when it comes to Al’s brief encounter with Charles Manson. For his shoot on The Female Bunch (1971), Al used the infamous Spahn ranch, where Manson and his ‘Family’ were holed up just weeks before the horrific Tate-LaBianca murders. Seems Manson was a bit of a pain and got thrown off the set.

But most bizarrely is how Adamson ended up being murdered by his contract builder, Fred Fulford, who Al had hired to renovate his home in Indio, California. It was here that Al’s corpse was hastily buried under cement (after home jacuzzi), and wasn’t discovered for several weeks. This is when Gregory’s turns slightly procedural as it unravels Al’s mysterious disappearance and his death through interviews with his brother Kent, local law enforcement, and his housekeeper. But its gripping to the end.

While Al Adamson’s cinematic output might be questionable, this is an engrossing documentary about one of exploitation cinema’s true mavericks. And while I won’t be hankering for a boxset of his movies, I might consider looking out for the forthcoming restoration release of Dracula vs. Frankenstein, which will be released by Severin, the producers of this engrossing documentary.

Since 2000, David Gregory has carved himself a niche making documentaries on outré cinema, cult film-makers, composers and some legendary figures with his best known work being Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr Moreau from 2014. At this year’s FrightFest in the UK, genre fans will not get the chance to see Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson, but also Master of Dark Shadows, a fantastic look at Dan Curtis and his iconic vampire soap opera.

Get you tickets here:

Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson
Friday 23 August, 1.15pm

Master of Dark Shadows
Sunday 25 August, 6.30pm

Scum | Alan Clarke’s brutal borstal drama still shocks 40 years on!

After the banning of their original 1977 BBC TV version, director Alan Clarke (The Firm) and writer Roy Minton (Funny Farm) set out to remake their drama, Scum. The resulting film, released now in a special UK Blu-ray edition to mark its 40th anniversary, was an even more vitriolic portrait of a corrupt and violent institution which stunned cinema audiences and caused outrage…

Scum (1979)

Young offenders Carlin (Ray Winstone), Angel (Alrick Riley) and Davis (Julian Firth) are sent to a tough British borstal in the country where they are brutalised by inmates and governors alike. After being singled out by Banks (John Blundell), the existing ‘Daddy’ on his wing, Carlin fights back, rising to the top of the prisoner heap. But for Angel and Davis life behind bars is much harder to take, especially so for Davis who takes his own life after a terrifying gang rape…

Scum (1979)

Roy Minton‘s script lays bare the brutal reality of British borstals, which were intended to reform young offenders, but ended up becoming breeding grounds for the next generation of hardened criminals. From the fire and brimstone governor (Peter Howell), sadistic wing head Mr Sands (John Judd) and his thuggish officers to ineffectual house master Goodyear (John Grillo) and an uncaring matron (Jo Kendall), there is not one sympathetic character amongst the staff in charge of the boys, who are so desperately in need of guidance, understanding and discipline, but end up being treated with brutal force and intimidation.

Set essentially in a boarding school with bars, Clarke’s film evokes the rebellious ‘two-fingers up at the establishment’ spirit of Lindsay Anderson’s If… (1968), and this is perfect captured in the film’s (improvised) riot scene in which the inmates vent their anger in response to Davis’ suicide. There are also shades of A Clockwork Orange in there, especially in Grillo’s greasy house master, who reminded me of Anthony Sharp’s sleazy Minister of the Interior in Kubrick’s film. Cinematically, the film is shot with a documentary flair, while its wintery exterior scenes are reminiscent of the paintings of LS Lowry.

Scum (1979)

Grim and overwhelming in its squalid sense of reality, the film is a fist in the face in terms of its foul language, racial and religious taunts (politically incorrect by today’s standards), graphic violence and male rape scene, while the acting from the young cast, including future famous faces like Mick Ford, Phil Daniels and Ray Burdis, is uniformly excellent. 40 years on, Scum still resonates (the snooker ball in a sock scene is iconic). But how much has really changed with regards to how we treat our young offenders?

The Indicator Limited Edition Blu-ray release includes the following special features…

• 2K restoration from the original negative, newly re-graded and approved by director of photography Phil Méheux
• Original mono audio
• Audio commentary with actor Ray Winstone and film critic Nigel Floyd (2006)
No Luxuries (2019, 20 mins): actor Mick Ford looks at his character of Archer
An Outbreak of Acting (2019, 16 mins): actor Ray Burdis on returning to the role of Eckersley for the feature film
Smashing Windows (2019, 12 mins): actor Perry Benson recalls the daily experiences of being on set
Continuous Tension (2019, 18 mins): director of photography Phil Méheux analyses the documentary approach of his cinematography
Criminal Record (2019, 10 mins): associate producer Martin Campbell on remaking the banned teleplay for the big screen
Back to Borstal (2019, 32 mins): executive producer Don Boyd reflects on his efforts to reinvigorate British cinema in the late 1970s
Concealing the Art (2019, 30 mins): veteran editor Michael Bradsell recalls collaborating with Alan Clarke
That Kind of Casting (2019, 22 mins): casting director Esta Charkham on the influence the Anna Scher Theatre had on production
• Interview with Roy Minton and Clive Parsons (1999, 16 mins)
• Interview with Roy Minton (2005, 20 mins)
• Interview with Davina Belling and Clive Parsons (2005, 9 mins)
• Interview with Don Boyd (2005, 13 mins)
• Cast Memories (2005, 17 mins): archive interviews with Phil Daniels, Julian Firth, Mick Ford and David Threlfall
• Original ‘U’ and ‘X’ certificate theatrical trailers
• Image gallery
• New and improved English subtitles
• Limited edition collector’s book
• Limited edition exclusive double-sided poster

The Woman in the Window | Fritz Lang’s influential 1940s film noir on Blu-ray

From Eureka Entertainment comes Fritz Lang’s The Woman in the Window (1944), starring Edward G Robinson and Joan Bennett, as part of The Masters of Cinema Series for the first time on Blu-ray in the UK.

Robinson plays Richard Wanley, a psychiatrist biding his time while his wife and children are on vacation when he encounters Alice (Joan Bennett), who bears an uncanny resemblance to the subject of a portrait he is fascinated by. When Richard and Alice retire to her home, her wealthy, jealous boyfriend intrudes, and is killed after a struggle.

Alice convinces Richard to cover up the crime, but as Richard’s district attorney friend (Raymond Massey) investigates and the boyfriend’s bodyguard (Dan Duryea) begins to apply pressure to Richard, the walls begin to close in…

The Woman in the Window is a fantastic thriller made by Fritz Lang at the end of a very profitable decade in Hollywood, years which had already yielded Fury, You Only Live Twice, The Return of Frank James and Hangmen Also Die.

Considered as one of the most important examples of the genre, it was a triumph for Lang, writer/producer Nunnally Johnson (The Grapes of Wrath), and Edward G Robinson, and remains a classic nail-biter.

Bennett is in top form as the slinky femme fatale, while Duryea is at his silkily treacherous best as the blackmailer. Bennett and Duryea re-teamed with Robinson and Lang the following year for the equally exciting Scarlet Street.

Available to order from: Amazon

• 1080p presentation on Blu-ray
• LPCM audio (original mono presentation)
• Optional English subtitles
• Video essay by critic David Cairns
• Audio Commentary by Film Historian Imogen Sara Smith, author of In Lonely Places: Film Noir Beyond the City
• Original theatrical trailer
• Collector’s booklet featuring new essays; alongside rare archival imagery

The Grand Duel | Lee Van Cleef’s last great western gets a 2k Blu-ray release

Genre stalwart Lee Van Cleef stars as a gnarled ex-sheriff called Clayton who comes to the aid of young Philipp Wermeer (Alberto Dentice), a fugitive framed for the murder of a powerful figure called The Patriarch. Clayton helps Philipp fend off attacks from bounty hunters in a series of thrilling shootouts before the two make their way to Jefferson to confront the Saxon brothers, the cunning David (Horst Frank), the hotheaded Eli (Marc Mazza), and depraved psycho Adam (Klaus Grünberg), and reveal who really killed The Patriarch.

Penned by giallo writer Ernesto Gastaldi, The Grand Duel is one of the best Spaghetti Westerns of the 1970’s, featuring a superb central performance from Lee Van Clee, assured direction from Giancarlo Santi (a former as assistant-director to both Sergio Leone and Giulio Petroni), and a soaring tuneful score from composer Luis Bacalov (Django).

Add in some knock-out action sequences, a bunch of colourful characters, and a touch of giallo-noir in the second half and this forgotten gem really is one of the grandest of all the Italian westerns. But the highlight for me was Klaus Grünberg’s pockmarked villain Adam Saxon. Dressed in white, with matching gloves, he is truly despicable – especially when he massacres a group of Dutch immigrants just for the fun of it.

The Grand Duel is out on Blu-ray from Arrow Video from 6 May 2019.

• New 2K restoration from the original 35mm camera negative
• High Definition Blu-ray (1080p) presentation
• Uncompressed mono 1.0 LPCM audio
• Original English and Italian soundtracks, titles and credits
• Newly translated English subtitles for the Italian soundtrack
• Optional English subtitles for the English soundtrack
• Audio commentary by film critic, historian and theorist Stephen Prince
An Unconventional Western: interview with director Giancarlo Santi
The Last of the Great Westerns: interview with screenwriter Ernesto Gastaldi
Cowboy by Chance: interview with the actor Alberto Dentice (aka Peter O’Brien)
Out of the Box: interview with producer Ettore Rosboch
The Day of the Big Showdown: interview with assistant director Harald Buggenig
Saxon City Showdown: video appreciation by the academic Austin Fisher
• Original Italian and international theatrical trailers
• Extensive image gallery
• Reversible sleeve featuring original artwork by Matt Griffin
• Collector’s booklet (First pressing only)

The original Twilight Zone gets a 60th anniversary UK Blu-ray release

2019 marks the 60th anniversary celebration of Rod Serling’s original Twilight Zone TV series and on 15 April, Mediumrare Entertainment is releasing an exclusive limited edition Blu-ray box set in the UK, which will include all 156 episodes of the original classic cult TV series, which was first broadcast on 2 October 1959 and ran for five seasons.

Included in the box set are a host of goodies, including an 80-page companion book written by Marc Scott Zicree, a 60-page episode guide, two reproduction Gold Key Comics, two post cards.

There’s also a host of extras (including audio commentaries, interviews, vintage radio dramas and the unaired pilots), plus a bonus disc which includes a new biography of the show’s creator, American Masters Presents: Rod Serling Submitted for Your Approval, and a new documentary, Timeless As Infinity: Entering the Twilight Zone, featuring interviews from Serling’s family, as well as interviews from the likes of Wes Craven and Joe Dante.

The fifth dimension has never been better than with this bumper box set on one of the most unique and inventive television shows ever created.

To pre-order the exclusive limited edition 60th Anniversary Blu-ray box set, which is priced at £149.99, and is not available from any other stockists, head over to:

Twilight Zone 60th Anniversary Box Set

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