Category Archives: Shakespearean
Jarman – Volume One: 1972-1986 | Six of the best from the iconoclastic British artist collected and restored on Blu-ray
24 years have gone by since his death aged just 52, but the legacy of British filmmaker Derek Jarman (1942-1994) lives on, and his highly personal work has lost none of its relevance or impact. The BFI have now released the first of two deluxe limited edition box sets that bring together six of his feature films on Blu-ray for the first time.
In the Shadow of the Sun (1974), Jarman’s debut abstract short film is comprised of a series of Super 8 films and is provided with a soundtrack from music group Throbbing Gristle. Personally, it was thanks to this film that I started experimenting with my own short films, and turned me into a big fan of Throbbing Gristle, Psychic TV and Coil.
Sebastiane (1976), Jarman’s debut feature film, spoken entirely in Latin and featuring an ambient score from Brian Eno, is an homoerotic account of the life and martyrdom of Saint Sebastiane (Leonardo Treviglio), a Roman soldier who is exiled to a remote outpost where his commanding officer (Barney James) becomes obsessed by him.
Jubilee (1978) | Queen Elizabeth I (Jenny Runacre) is transported through time from 1578 to 1978 by her astrologer John Dee (Richard O’Brien), where she sees what has become of her once glorious kingdom where law and order has broken down. Adam Ant, Toyah Wilcox and Jordan co-star.
The Tempest (1979) | Jarman creates his own interpretation of Shakespeare’s final play. Abandoned on a remote island by his brother Antonio (Richard Warwick), Prospero (Heathcote Williams), the former Duke of Milan, engineers a shipwreck to bring Ferdinand (David Meyer) the Prince of Naples, and his daughter Miranda (Toyah Wilcox) together in a bid to restore peace between Milan and Naples.
The Angelic Conversation (1985), a selection of Shakespeare’s sonnets are read by Judi Dench over atmospheric music by Coil and tableaux images of landscapes and people.
Caravaggio (1986) | A heavily stylised biopic of the Renaissance Italian painter Caravaggio (Nigel Terry) who falls in love with his muse, street thug, Ranuccio Thomasoni (Sean Bean).
Derek Jarman’s first six feature films have all been newly scanned at 2K from original film elements and are presented in this first box set alongside some incredible extras (listed below), all drawn from Jarman’s archive of workbooks and papers held in BFI Special Collections, plus a host of interviews with key cast, crew and friends, which have been exclusively produced for this release.
You can purchase Jarman – Volume One: 1972-1986 direct from the BFI bookshop or from Amazon and HMV (in the UK).
• Sebastiane: A Work in Progress (1975): newly remastered from 16mm film elements held by the BFI National Archive, this sadly incomplete early black and white work-print differs significantly from the finished film. This previously unseen alternate edit – assembled in a different order, featuring a different soundtrack – was never subtitled or released
• The Making of Sebastiane (Derek Jarman & Hugh Smith, 1975): previously unseen Super 8 footage shot on location in Sardinia
• Jazz Calendar (1968): a rarely screened documentary record of the 1968 ballet by Frederick Ashton, performed by The Royal Ballet at the Royal Opera House, for which Jarman designed sets and costumes
• Sloane Square: A Room of One’s Own (1974-76)
• John Scarlett-Davis remembers Sebastiane (2018)
• Message from the Temple (1981)
• TG: Psychic Rally in Heaven (1981)
• Pirate Tape (WS Burroughs Film) (1982)
• Toyah Willcox: Being Mad (2014)
• Jordan remembers Jubilee (2018)
• Lee Drysdale remembers Jubilee (2018)
• Stormy Weather: the Magic Behind The Tempest (2016): Toyah Willcox and Stuart Hopps share their memories of working on The Tempest
• John Scarlett-Davis remembers The Tempest (2018)
• Don Boyd remembers The Tempest (2018)
• A Meeting of Minds: Christopher Hobbs on collaborating with Derek Jarman (2018)
• Fragments of Memory: Christopher Hobbs on working with Derek Jarman (2007)
• To the Cliffs: James Mackay on working with Derek Jarman (2007)
• Derek Jarman: The Films that Never Were (2018): A look back on unrealised Derek Jarman features, including Egyptian period drama Akhenaten and science fiction horror Neutron
• Akhenaten Image Gallery & Neutron storyboards
• Audio commentary for Caravaggio by cinematographer Gabriel Beristain
• Caravaggio in Docklands (1985)
• Kind Blasphemy: Nigel Terry on Derek Jarman and Caravaggio (2007)
• Tilda Swinton on Derek Jarman and Caravaggio (2007)
• Italy of the Memory: Christopher Hobbs on Caravaggio (2007)
• Dexter Fletcher on Caravaggio (2014)
• Christopher Hobbs remembers Caravaggio (2018)
• Derek Jarman interviewed by Derek Malcolm (1986, audio only)
• In the Studio: Caravaggio soundtrack recording sessions (1986, audio only)
• Derek Jarman’s Caravaggio notebook (Gallery)
• Five galleries featuring storyboards, production designs and Jarman’s notes on Caravaggio
• Image galleries
• Original theatrical trailers for The Angelic Conversation and Caravaggio
• 80-page collector’s book
Patrick McGoohan headlines director Basil Dearden’s modern dress, modern jazz adaptation of Othello, with jazz greats Charlie Mingus, Dave Brubeck, Johnny Dankworth and Tubby Hayes appearing as themselves.
Musical comedy star Paul Harris plays Aurelius Rex, a musician whose wife, Delia (Marti Stevens), gave up a prosperous singing career when she accepted his hand in marriage. But the peaceful structure of their relationship is shattered during a late night warehouse party in Bermondsey, when ambitious drummer Johnny Cousin (McGoohan) uses every dirty trick to woo Delia into working with him.
This powerful psychological drama is now out on Blu-ray and DVD, as part of Network’s ‘The British Film’ collection, and is presented in a new High Definition transfer from original film elements in its original, as-exhibited aspect ratio. The special features include original theatrical trailer and an image gallery.
All Night Long also makes its Channel Premiere today at 9.40pm on Talking Pictures (Sky 343, Freeview/Youview 81, Freesat 306).
Ian McKellen is wickedly witty as the withered-armed king Richard III in this powerful adaptation that packs a punch and then some…
When it comes to film adaptations of Shakespeare, it’s Baz Luhrman’s Romeo & Juliet, Kenneth Branagh’s Henry V and Lawrence Olivier’s Hamlet that first come to mind. But 1995’s Richard III should really be counted among them.
Ian McKellen might be better known for playing Gandalf and Magneto in the blockbuster Lord of the Rings and X-Men franchises, but the knighted stage thespian admits he might not have got those parts had it not been for this labour of love, which he wrote the screenplay for based on the successful stage production that he also starred in.
Sporting a pencil-thin moustache, flat 1930s-styled greased and combed hair, and dressed in fascist military attire, his power-crazed Richard, Duke of Gloucester is a clever creation, witty and wicked, yet monstrously mad. He is the tyrant personified, whose deformities (twisted spine, dodgy eye and war-damaged scarred face) cause disgust in others and, in turn, are the root of his wickedness – as is hatred for his abusive mother (played by Dame Maggie Smith in full Downton Abbey mode). And he invites us to become part of his evil schemes by fixing us with his dodgy eye and breaking the fourth wall to utter some of Shakespeare’s most memorable prose.
McKellen has made a career out of playing Shakespeare on stage, so he knows how to craft a screenplay that remains true to the Bard’s words. But he’s ditched the archaic, which not only makes the verse more accessible, it serves to highlight Shakespeare’s ingenuity.
Director Richard Loncraine brings a cinematic eye that makes a perfect fit to McKellen’s vision. By dressing the tragedy in the aesthetic of the Third Reich, he shines a light on the pure evil at the heart of Richard’s devious agenda that results in his bloody, brief, rise to dictatorship.
But while Shakespeare and McKellen are the big draw in this condensed cartoon-like confection, so are the magnificent London locations, including those Brutalist beauties, Bankside and Battersea Power Stations, and the Art Deco Senate House at the University of London, which help give the film a grand sense of scale on a modest budget.
Featuring an all-star cast, including Kristin Scott Thomas, Robert Downey Jr, Annette Bening, Jim Broadbent, Nigel Hawthorne, a young Dominic West, plus lots of future Downton Abbey faces, Richard III gets a timely release on dual format following a re-master from the BFI. The special extras include a new audio commentary with McKellen and Loncraine, an engrossing 79-minute BFI lecture by McKellen about Shakespeare on stage and screen, and an illustrated booklet with an essay by McKellen. An annotated screenplay is also included as a pdf (on the DVD).