Category Archives: Zombies
Winner of four Festival awards (Sitges International Film Festival, Monsters of Film, Toronto After Dark,
Deaffest) and shortlisted for a BAFTA, Dawn of the Deaf, from London-based writer/director Rob Savage is an accomplished, pulse racing short which sets the scene for an apocalyptic event in which a mysterious sonic pulse wipes out all of London’s hearing population, leaving only the deaf to deal with a zombie outbreak…
It’s a clever twist on the classic genre that could have been done for laughs, but Savage uses the 12-minute running time to explore some very important issues – discrimination, sexual abuse and empowerment – through the eyes of four very believable characters. Kudos go to Caroline Ward, who gives a touching performance as deaf teen Sam, whose pain and torment is expertly conveyed through her eyes and facial expressions.
The excellent camerawork (from DOP Sam Heasman) of some iconic London locations gives the film an epic ‘end of the world’ look (think 28 Days Later, but costing the fraction of the price), and there’s one shot that really brings home the gravity of the unexplained event – but I won’t spoil the surprise for you. And when the end credits roll, I’ll wager you’ll be begging to know what happens next…
Watch Dawn of the Deaf on Vimeo here:
A decade on from the end of the Nazi occupation of France, a small rural town finds itself engaged in another war. A platoon of dead German soldiers are beginning to return from their unholy water grave – a cursed lake where the Spanish Inquisition held black masses and sacrificed children to appease evil spirits that would rise up in search of fresh blood.
At first, the town’s Mayor (Howard Vernon) refuses to take action, despite reported attacks on local women and the instance of a city journalist to investigate. But when a women’s basketball team is massacred and a local homicide squad arrives, the Mayor rally the townspeople to drive the Nazi soldiers into a infernal trap…
This 1981 Spanish-French horror film, which is also known as Le lac des morts vivants, was supposed to have been directed by Jesus Franco. But when he bailed Jean Rollin (Female Vampire) was roped in to put it together. But it’s a soggy mess.
Franco favourite Howard Vernon looks so bored as the Mayor of a picture postcard but deadly dull French town lives in a castle folly decorated in gargoyles; while the locals (made up of extras) seem to spend every waking moment in the town’s one and only tavern.
Lime green makeup is the only attempt at special make-up for the film’s zombies, so they end up looking like a bunch of Shreks in Nazi clobber – and certainly pale beside Shock Waves’ genuinely scary barnacle encrusted Storm troopers (that film’s highlight).
Interestingly, the zombie attacks come off as quite sexual, with lots of passionate kissing rather than any primal flesh tearing. Given Rollin’s penchant for eroticism, I wonder if this was his only creative contribution to the film, which some off a bit Benny Hill in its ludicrous attempts at titillation by chucking in nudity at every turn.
In a riff on Frankenstein and little Maria from the Universal classic, there’s a side story in which Helena (Anouchka), the 10-year-old daughter of one of the Nazi zombies befriends her undead dad (Pierre-Marie Escourrou, TV’s Une femme d’honneur) who ends up having to protect her from his bloodthirsty pals. This is actually more interesting than the main story, and provides the film with a moving (read: melodramatic) ending in which little Helena helps to release her dad’s restless spirit from its eternal torment.
The last 20-minutes sees the zombies walk very slowly into an ambush to the tune of an avant-garde score made up of drum and a harpsichord. It’s a bizarre choice, and just as patchy as the film as the music ranges from some melodramatic piano and string to jaunty la la la tunes every time there’s a nude swimming scene. And when the screen isn’t swelling with muzak, the incessant birdcalls are really grating.
Which leaves me with this last question: How would you react if your dead Nazi soldier dad came back as a pond dwelling green-tinged zombie?
Zombie Lake is out on DVD in the UK from Screenbound & Black House Films
We all know Rupert Everett for his foppish roles in a host of costumes romps, being GBF to Julia Roberts and Madonna in a couple of rom-coms, and for pulling on a frumpy dress to play an eccentric headmistress in the St Trinian’s movies, but did you know that back in the 1990s he also tried his hand at horror? It was in 1994’s Dellamorte Dellamore (aka The Cemetery Man), a strange brew of Italian arthouse cinema, horror comedy and Terry Gilliam-style absurdist humour, is director Michele Soavi’s adaptation of a novel by Dylan Dog comic book creator Tiziano Sclavi.
Everett plays Francesco Dellamorte, the complacent world-weary caretaker of the Buffalora cemetery, where the dead come to life seven days after burial. Francesco’s job is to terminate these ‘Returners’ before they escape over the walls. Cynical, amoral and fearful of an outside world where falling in love only ends in rejection, Dellamorte prefers the company of the (un)dead and his routine existence in the cemetery which he tends the help of his faithful assistant, Gnaghi (François Hadji-Lazaro).
But when Dellamorte does allow himself to fall in love – with a young widow whom he accidentally kills – his enchanted world is suddenly thrown into total chaos. What follows can only be ‘experienced’ as it’s a real rollercoaster ride of quirky and surreal happenings – a sort of Groundhog Day set in a graveyard.
Dellamorte Dellamore is stunning to look at – filled with the kind of light and colour that’s reminiscent of Mario Bava’s Italian horrors of the 1960s, while the use of an actual cemetery (in Guardea, Umbria) makes it even more fantastical. Everett is a bit wet as the titular hero (he’s certainly no Bruce Campbell), but Hadji-Lazaro is a revelation (his side story is a real treat). The humour might be a bit hit and miss, but it’s the visuals that will stay with you (my favourite – the talking head in a broken TV).
Back in 2012, Shameless Screen Entertainment re-released this mini-masterpiece onto DVD and got director Michele Soavi and writer Gianni Romoli together to share their thoughts (in Italian) as a special feature. I’ve been watching it over and over every since, and revisited it again last night after checking out Shameless latest additions to their Soavi collection The Church and The Sect (check out my review real soon).
Out on DVD through Shameless Screen Entertainment
The ball-busting Aussie comedy horror thriller premieres on Film4 today at 10.50pm.
*****READ MORE HERE*****