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Pulse | ‘It traps you in your house…then pulls the plug’ – the 1980s sci-fi shocker on Blu-ray

Now, what would you do if you discovered a serial killer intelligence was moving from house to house in your neighbourhood via the electrical grid? Well, that’s the premise of this 1988 American sci-fi. And, you what, it’s not a bad little shocker.

Chid star/singer and future reality TV/game show celeb Joey Lawrence plays David, a Colorado kid forced to spend quality time in the Californian burbs with his divorced dad Bill (Cliff De Young) and step-mum (Roxanne Hart). Arriving the day after a neighbour seeming went into murder/suicide mode after wrecking his house, David becomes convinced that something in the wires was the real cause. He’s soon in ‘why don’t you believe me’ territory with his dad, who blames scary-eyed builder Holger (Charles Tyner) for filling his kid’s head with such nonsense. Of course, it takes a couple of bizarre accidents involving David and Ellen before Bill finally realises he must find a way to pull the plug before its too late.

I never caught this on its original release, but it holds up rather well after all these years. Sitting firmly in the kid-in-peril genre, it boasts a winning turn from Joey Lawrence (making his second feature). Excepting those scenes he shares with his real-life kid brother Matthew (whose little Stevie delights in describing the recent murder in gruesome detail), Joey Lawrence dominates the proceedings as the young boy pining for some fatherly affection. And his domestic drama plays out quite nicely alongside the sinister goings-on which starts out with the family’s lawn dying off and ends in a blaze of pyrotechnics as father and son join forces to take the pulse down (along with the family home).

The special effects of the pulse are quite effective, there are some great set pieces and the music is composed by Jay Ferguson (who went on to composed the theme song for the US version of The Office). But my favourite scene is the ending, which I suspect is a subtle dig at suburban American ideals.

Pulse is now out on Blu-ray in the UK from Eureka Entertainment.

• 1080p presentation on Blu-ray
• LPCM 2.0 audio and optional English SDH
• Audio commentary by author and film historian Amanda Reyes
Tuning in to Tech Horror: video essay by writer and film historian Lee Gambin
• Collector’s booklet featuring a new essay by author Craig Ian Mann

Blood Diner (1987) | The insane cult horror comedy restored and remastered on Blu-ray!

Blood Diner (1989)

This semi-sequel/remake of Herschell Gordon Lewis’ Blood Feast (1963) was written by Michael Sonye (aka Haunted Garage’s Dukey Flyswatter) and directed by Jackie Kong. It follows two weirdo brothers Michael (Rick Burks) and George (Carl Crew) and the reanimated brain of their serial killer uncle Anwar (Drew Godderis) as they attempt to resurrect an ancient Lumerian goddess, Sheetar, using the body parts of immoral young women and the sacrifice of a virgin to awaken Sheetar’s powers…

Blood Diner (1987)

Given only a limited release back in 1987, Blood Diner’s cult reputation has grown over the years. Now, I do remember seeing it lurking in VHS bargain bins back in the day, but I never saw it until now as it’s been dusted off and given a HD Blu-ray makeover as part of Lionsgate’s Vestron Video re-issues – and I must say Blood Diner certainly belongs in the ‘it’s so-bad it’s good’ section of my cult film library.

Blood Diner (1987)

The music is a bizarre mix of dire synth score, 1960s soul and mambo; while the acting (featuring the worst accents ever) is abysmal, but it’s all shot with such energy and OTT garishness – just like the Troma films of the day – that I’ve actually gone back for a second helping.

Featuring hilarious gross-out sequences and lots of blood, gore, cartoon violence and projectile vomiting, Blood Diner is one seriously insane ride. It also boasts the kind of way-out characters you’d expect from an early John Waters movie, including a burger bar owner whose ventriloquist dummy does all the talking, an obese food critic, a manic archaeologist, and that talking brain in glass jar.

Blood Diner (1987)

Naked female flesh – and their entrails – are high on the menu alongside some quite nasty acts of violence against women and misogynist humour like ‘Every heard of battered girlfriends?’, which made me question whether the film’s female director was making some kind of a statement or not? There’s also some broad swipes against health food fanatics and the homeless which border on being just a little too unkind.

Blood Diner (1987)

Filling out the running time is a unnecessary wrestling match involving an Ayran bloke wearing a Hitler moustache and Nazi insignia, while the film’s big set piece is the ‘blood buffet’ where Sheetah, now resurrected, and sporting what looks like a man-eating vagina with teeth in place of her stomach, causes complete mayhem.

Blood Diner (1987)

Given the cult status that Troma’s Toxic Avenger has acquired over the years, this insane 1980s horror comedy is certainly in the same league. And now that its been restored and remastered – you never know, we might just see a stage musical adaptation one day soon. I know I’d pay to see that (just minus the misogyny).

Blood Diner is released through Lionsgate Home Entertainment UK, and includes the following special features:
• Audio commentary with director Jackie Kong
• Six Blood Diner featurettes: Queen Kong; The Cook, The Uncle, and The Detective; Open for Business; Scoring for Sheetar; You Are What They Eat!
• Archive interview with project consultant Eric Caidin
• Trailer, TV Sports and Still Gallery





Zombie Lake (1981) | God help us! Jean Rollin’s soggy horror rises again on DVD!

A decade on from the end of the Nazi occupation of France, a small rural town finds itself engaged in another war. A platoon of dead German soldiers are beginning to return from their unholy water grave – a cursed lake where the Spanish Inquisition held black masses and sacrificed children to appease evil spirits that would rise up in search of fresh blood.

At first, the town’s Mayor (Howard Vernon) refuses to take action, despite reported attacks on local women and the instance of a city journalist to investigate. But when a women’s basketball team is massacred and a local homicide squad arrives, the Mayor rally the townspeople to drive the Nazi soldiers into a infernal trap…

This 1981 Spanish-French horror film, which is also known as Le lac des morts vivants, was supposed to have been directed by Jesus Franco. But when he bailed Jean Rollin (Female Vampire) was roped in to put it together. But it’s a soggy mess.

Franco favourite Howard Vernon looks so bored as the Mayor of a picture postcard but deadly dull French town lives in a castle folly decorated in gargoyles; while the locals (made up of extras) seem to spend every waking moment in the town’s one and only tavern.

Lime green makeup is the only attempt at special make-up for the film’s zombies, so they end up looking like a bunch of Shreks in Nazi clobber – and certainly pale beside Shock Waves’ genuinely scary barnacle encrusted Storm troopers (that film’s highlight).

Interestingly, the zombie attacks come off as quite sexual, with lots of passionate kissing rather than any primal flesh tearing. Given Rollin’s penchant for eroticism, I wonder if this was his only creative contribution to the film, which some off a bit Benny Hill in its ludicrous attempts at titillation by chucking in nudity at every turn.

In a riff on Frankenstein and little Maria from the Universal classic, there’s a side story in which Helena (Anouchka), the 10-year-old daughter of one of the Nazi zombies befriends her undead dad (Pierre-Marie Escourrou, TV’s Une femme d’honneur) who ends up having to protect her from his bloodthirsty pals. This is actually more interesting than the main story, and provides the film with a moving (read: melodramatic) ending in which little Helena helps to release her dad’s restless spirit from its eternal torment.

The last 20-minutes sees the zombies walk very slowly into an ambush to the tune of an avant-garde score made up of drum and a harpsichord. It’s a bizarre choice, and just as patchy as the film as the music ranges from some melodramatic piano and string to jaunty la la la tunes every time there’s a nude swimming scene. And when the screen isn’t swelling with muzak, the incessant birdcalls are really grating.

Which leaves me with this last question: How would you react if your dead Nazi soldier dad came back as a pond dwelling green-tinged zombie?

Zombie Lake is out on DVD in the UK from Screenbound & Black House Films




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