Corman’s World: Exploits of a Hollywood Rebel (2012) | Tinseltown’s finest pay tribute to the King of the Bs
Film trivia buffs will certainly know what Martin Scorsese, Ron Howard, Peter Bogdanovich, Jack Nicholson, William Shatner and Peter Fonda all have in common – it’s working with Roger Corman.
This one-man show of producer, director, writer and actor has been in the film business for near-on 60 years. A leading visionary in American entertainment who mentored two generations of actors and film-makers, Corman received a richly-deserved Honorary Academy Award in 2009. This 2012 documentary is an affectionate tribute to the legendary man, tracing his career, up to that auspicious occasion.
Modern-day audiences will know Corman’s latest efforts for the Syfy channel, the fun CGI monster flicks Dinoshark and Sharktopus, but he’s also responsible for a host of other classic cinematic offerings going all the way back to 1955, when he started out doing teenage drive-in flicks. These have included cult comedies like Little Shop of Horrors, gothic Edgar Allan Poe chillers like The Fall of the House of Usher starring Vincent Price, plus gangster dramas (Bloody Mama), biker road movies (The Wild Angels) and the underrated racial drama The Intruder, starring William Shatner.
In the 1970s, his New World Pictures and New Horizons outfits made a host of exploitation flicks (Women in Cages, Death Race, and Piranha) that have since became cult classic, and he also helped expose the films of Ingmar Bergman, François Truffaut, Federico Fellini, and Akira Kurosawa to international audiences.
While the huge success of Jaws and Star Wars knocked Corman for six in the mid-1970s and the straight-to-DVD market took over the exploitation market in the 1980s, Corman refused to retire. Today, he’s still ‘in the game’ and living by his mantra that ‘It’s OK to have fun at the movies’.
The best thing about this documentary are the tributes paid to Corman by the likes of an emotional Jack Nicholson, an erudite Martin Scorsese and a thankful Ron Howard, to name just three. Nicholson’s first picture for Corman, Cry Baby Killer, was humiliating, while The Terror with Boris Karloff still belies logic, but they were great for his career, which really took off after The Wild Angels and The Trip led him to Easy Rider (a film which Corman nurtured, but missed out on making himself).
Martin Scorsese, whose favourite film of Corman’s remains The Tomb of Ligeia, got his first directorial duties on Boxcar Bertha in 1972. He would later use the techniques he’d learned on that film for his breakout feature, Mean Streets.
Former Happy Days star Ron Howard, remembers that it was the TV campaign for The Pit & The Pendulum that drew him into film-making in the first place. Thanks to Corman, Howard would earn his directorial stripes on Grand Theft Auto in 1977 and has never looked back.
Featuring a cool soundtrack from Air, this is an outstanding documentary about an outstanding man and we should all be thankful for all the ‘cool, weird and wonderful moments’ (to quote Nicholson) that he has given us film fans.
Available on DVD and Blu-ray
Ray Harryhausen: Special Effects Titan (2011) | The must-see documentary tribute screens on BBC2 and BBC iPlayer
Cinema’s most admired and influential special-effects innovator Ray Harryhausen is honoured in the comprehensive 2011 documentary, Ray Harryhausen: Special Effects Titan, which airs tomorrow morning (Saturday 3 December) on BBC2 at 7.30am, following a screening of the 1949 adventure Mighty Joe Young (at 6am).
A seminal influence on modern-day special effects, the American visual effects creator, who sadly left us aged 92 in May of 2013, was the undisputed king of stop motion animation, and his films – which include The Beast from 20,000 Fathoms, The 7th Voyage of Sinbad, Mysterious Island, Jason and the Argonauts and Clash of the Titans – inspired many of today’s big-name film-makers – from Steven Spielberg to Terry Gilliam and Peter Jackson – to follow in his footsteps.
This is a must-see for all film fans, with a wealth of clips from Harryhausen’s classic films and, on the Blu-ray, some neat extras (my favourite being a featurette in which Harryhausen’s prized models are unpacked for the 2010 London restrospective). Click here for a gallery of images.
Ray Harryhausen: Special Effects Titan is also available on Blu-ray and DVD in the UK from Arrow Films, can be streamed via the Arrow Films VOD service, or you can watch it for free shortly after its broadcast on BBC iPlayer
‘We all can dance when we find music that we love’
There’s a moment in this honest and affectionate film about Gary Numan that captures perfectly the gentle soul behind the cold robotic image that the synth pioneer became famous for – albeit very briefly – in the late 1970s and early 1980s – when he crafted the electro-pop classics Are ‘Friends’ Electric? and Cars.
Gary is reading to his daughter Raven from a children’s book about a lonely giraffe called Gerald who learns to embrace his brilliance. It’s a story that matches Numan’s own outsider journey, one that has seen him battle years of rejection and mental illness with drive and determination and, most significantly, with the help of the love of a good woman. In Gary’s case, it is his wife Gemma, who has not only given him a loving family (daughters Raven Persia and Echo), but has supported him through all the highs and lows (including stage fright, depression, and a fall out with his parents).
Their tight-knit relationship, which started out when Gemma was a teenage fan girl, is core to the film’s unapologetic honesty (and her detractors should take note). The film also allows audiences to get inside the creative mind of the Godfather of electronic pop music as he moves the family from the UK to California to put the final touches to Splinter, his first album since 1983. As played out in the film, this labour of love would eventually reach the UK Top 20 on its release in October 2013 – earning Numan the praise and accolades from the very people who had for so long belittled his career.
You certainly do not need to be a fan of Gary Numan’s music to get totally absorbed in this captivating film, which can also be read as a real-life fairy tale, one in which a self-confessed geek and loner conquered his demons to recognise his own brilliance. But once you’ve seen it, you’ll be wanting to track down Numan’s back catalogue… and be hankering to see him live on stage.
Gary Numan: Android in La La Land is screening in selected UK cinemas throughout September. Check out the website for more details: http://www.numandroid.com/
Filmed as a fictional documentary, 1980’s Rude Boy follows a Brixton punk (Ray Gange) as he quits his job in a West End sex shop to become a roadie for The Clash during their Clash on Patrol and Sort It Out UK tours of 1978.
Set against the backdrop of late 1970s Britain, this is an unparalleled film document of the iconic band (Joe Strummer, Mick Jones, Paul Simonon and Nicky ‘Topper’ Headon) as they tour the country and headline the legendary Rock Against Racism Carnival in Victoria Park, London (which happened on 30 April 1978), while also going into the rehearsal rooms and the recording studio to lay down tracks for their second album Give ‘Em Enough Rope.
The Clash regretted their involvement with the film after watching the rough cuts and asked producer/directors David Mingay and Jack Hazan to edit the film to just concert footage, when Mingay and Hazan refused the band had pin badges made with the statement ‘I don’t want Rude Boy Clash Film’. The film, however, was released in 1980 and won an Honorable Mention and was nominated for the Golden Bear at the 30th Berlin International Film Festival.
Rude Boy featuring The Clash is available on DVD and for the first time on Blu-ray – fully restored in high definition with all new 5.1 surround sound, from Fabulous Films, from Monday 6 April. It includes 19 songs, 28 performances and 72 mins of live Clash footage.
THOSE EXTRAS IN FULL
• Audio commentary from producer/directors David Mingay and Jack Hazan
• Interviews with Ray Gange and Clash road manager Johnny Green
• Interviews with Jack Hazan and David Mingay
• 2 bonus live tracks that never made the final cut
• 4 deleted scenes
• 1980 theatrical trailer
• 1980 30sec radio ad
• Just Play The Clash’ separate song menu
• Clash discography with original sleeve artwork
• Clash image gallery
• The Clash Live in Munich 3rd October
• 7 songs, plus backstage interview
• Original 1980 promotional fanzine
• Rude Boy photo book
Punishment Park (1971) | Why does Peter Watkins’ subversive pseudo-documentary continue to upset America?
Set in a future where America’s war in Vietnam has led to the setting up of detention camps to hold dissidents, director Peter Watkins’ 1971 pseudo-documentary involves a British film crew, led by Watkins himself, following one group of radicals who accept three days in a ‘punishment park’ over a prison sentence. But it’s not going to be easy. The group are on foot, have no food or water, and cannot ask the assistance of the documentary crew as they cross 60-miles of desert to reach their target – an American flag. And standing in their way – squads of law enforcement officers waiting to take them down…
Punishment Park might seem like a dystopian sci-fi in the vein of George Orwell’s Nineteen Eighty-Four or a futuristic take on the classic adventure The Most Dangerous Game, but it’s actually a despairing indictment of repression in a country that boasts of freedom, liberty and human rights for all.
Mercilessly attacked for being an anti-American paranoid fantasy on its release in 1971, Punishment Park remained virtually unseen in that country for over three decades until it was finally released on DVD in 2005. It’s now available in the UK in a restored version in HD on Blu-ray and DVD (see below).
To fully understand the film, you need to know what was happening to America at the end of the 1960s. As militant elements within the peace movement against the Vietnam War were becoming vocal, the Johnson and Nixon administrations turned to show trials and police force to silence them.
Using an actual piece of US legislation from the 1950s, which provided for the setting up of detention facilities for communist subversives, Watkins structured his pseudo-documentary around the stories of real-life protestors as told by non-actors.
The effect – combined with the brutal desert setting (Bear Mountain in California) and Watkins’ sly investigative reporter – made it all seem real (something he also succeeded in doing in his seminal 1965 BBC TV documentary, The War Game – which gets a BFI Blu-ray release in the UK on 28 March 2016). And it was too real for some, as Danish TV thought it was an actual news report. But there’s certainly no winking to the camera in Watkins’ film. Instead, he challenges the documentary film form, making us (the viewer) complicit in the terrible, brutal acts that unfold.
Post 9/11 and and Punishment Park still makes for uneasy viewing – especially when you consider the abuse, brutality, humiliation and loss of civil liberties that dominate our news bulletins every day. As such, it remains a powerful tour-de-force that needs to be experienced and debated once again.
Punishment Park is available on Dual Format (Blu-ray and DVD) through Eureka!’s The Masters of Cinema Series, and inclues the following features:
• Restored high-definition transfer (shot on 16mm, Punishment Park has been re-mastered from a new 35mm print struck from the restored 35mm blow-up negative held in Paris).
• 30-minute introduction by Peter Watkins, filmed from 2004.
• Audio commentary by Dr Joseph A Gomez (author of the 1979 book Peter Watkins).
• Optional English subtitles.
• Booklet with two essays and reprints by Watkins.
Magician: The Astonishing Life and Work of Orson Welles | A moving, masterful montage on the maverick artist
Directed by Oscar-winning filmmaker Chuck Workman, this illuminating documentary explores the life and career of Orson Welles, whose motto was ‘believe in something bigger than yourself’. And that’s exactly what you’ll discover on this crazy Wellesian journey through awesome Orson’s time in the theatre (where he brought theatricality and expressionism back to the stage), on radio (where he sacred the pants off America with War of the Worlds), in film television; as well as his sudden fall from grace in Hollywood to his amazing artistic rebirth in Europe.
Featuring personal anecdotes and insights from the likes of Simon Callow, Peter Bogdanovich, Jeanne Moreau, Peter Brook, Costa-Gavras, Steven Spielberg, Martin Scorsese and Richard Linklater and illustrated with fantastic archival material and film extracts – from both his best and least-known works, this is a carefully-crafted insight into the pioneering, uncompromising artist who, although misunderstood in his own time, is now rightfully lauded as the master of his art and a true hero to independent cinema.
If ever there was a documentary that will make you want to re-examine Welles’s back catalogue, then this is the one to do so. It will also make you see some of his works in a whole new light, especially Chimes at Midnight, which he regarded as his life’s masterpiece, and I quote: ‘If I wanted to get into heaven on the basis of movie, it would be Falstaff’.
Magician: The Astonishing Life and Work of Orson Welles debuts on Sky Arts on Wednesday 16 September at 9pm and is out on DVD in the UK from BFI
The BFI release includes the film trailer; two featurettes: A Conversation with Director Chuck Workman (2014, 9mins) and A Personal Appreciation of Orson Welles by Simon Callow (2015, 31mins); and an illustrated booklet.
Man With a Movie Camera (1929) | Dziga Vertov’s radical, spectacular ode to Soviet life reigns supreme on Blu-ray
‘I am the camera eye, I am the mechanical eye.
I am the machine which shows you the world as only I can see it’ Dziga Vertov
Voted the greatest documentary of all time in the 2014 Sight & Sound poll, Soviet director Dziga Vertov’s radical, ground-breaking 1929 city-symphony, Man with a Movie Camera (Chelovek’s kino-apparatom), used every trick in the cinematic textbook and invented new ones to record the Moscow masses at work and at play from dawn to dusk, while celebrating the cameraman as hero.
Hugely influential, Vertov’s dazzling film certainly lives up to its reputation as one of the most contemporary of silent movies – and continues to inspire awe with each revisit thanks to its virtuso camera trickery. This is cinema vérité supreme.
On 27 July 2015 the BFI in the UK will release a Special Edition Blu-ray of the documentary, presented with Michael Nyman’s celebrated score, and accompanied with the following extras, while the 2014 restored version, featuring music by the Alloy Orchestra, screens at the BFI from Friday 31 July, as part of the 10 Greatest Documentaries of All Time season.
THE SPECIAL EDITION BLU-RAY EXTRAS
• Audio commentary by Russian film scholar Yuri Tsivian (previously available on the 2000 BFI DVD).
• Kino-Pravda No.21 (Dziga Vertov, 1925, 36 mins): this newsreel, one of 23 made over three years, charts Soviet progress under Lenin. With new electronic score from Mordant Music
• One-Sixth of the Globe (Dziga Vertov, 1926, 84 mins): an ideologically charged documentary which denounces capitalism and celebrates Communist transformation. It is presented in its UK distribution version from the politically radical film distributor ETV, with a soundtrack by Mordant Music
• Three Songs of Lenin (Dziga Vertov, 1935, 61 mins): poetic propaganda film based on three songs of the Soviet East. The first shows secular Communism’s victory over Islam and the empowerment of women, the second shows a country in mourning over Lenin’s death, and the third showcases Soviet military might and industrial expansion.
• David Collard on Three Songs of Lenin and WH Auden (2009, 7 mins)
• Simon Callow Reads WH Auden’s Verses from Three Songs of Lenin (2009, 3 mins)
• Illustrated booklet with essays on the film’s history, its director, the special features, and composer, Michael Nyman
The acclaimed 2013 documentary by Frank Pavich traces the history of director Alejandro Jodorowsky’s failed attempt in the 1970s to adapt Frank Herbert’s classic sci-fi novel. Starring Orson Welles, Mick Jagger, Gloria Swanson, Salvador Dali and his own 12-year-old son Brontis, and featuring music by Pink Floyd and the incredible art by HR Giger and Jean ‘Mœbius’ Giraud, Jodorowsky’s 14-hr take on Herbert’s saga was set to change cinema forever.
Over two years, the Chilean film-maker – best known for his surreal western El Topo and his mystical epic The Holy Mountain – and his team of ‘spiritual warriors’ worked furiously on the massive task of imagining Herbert’s universe: making storyboards, paintings, and even costumes. So what happened?
In creating what must be the best not-making-of documentaries ever made, Pavich hunts down the cast and crew of the aborted project from all corners of the globe to tell his tale, but the film’s real magic lies with the incredibly detailed book that Jodorowsky and his team assembled to woo the studios, and it’s the use of these pictures and storyboards that makes this the closest we’ll ever come to seeing Dune as the director intended.
Jodorowsky’s Dune, which premiered at the 2013 London Film Festival and was screened last year at the British Library as part of a special exhibition, with the director in attendance, has now gone straight to digital on pay-per-view VOD platforms, including. iTunes, Amazon Instant Video, blinkbox, Wuaki.tv and Google Play.
There’s no news of a UK DVD release as yet.
Electric Boogaloo: The Wild, Untold Story of Cannon Films | Calling all trash cinephiles! This is a must-see!
‘Most of Hollywood is all talk, we make films’ – Menahem Golan
B-movie fans growing up in the 1980s will certainly remember Cannon films and their iconic logo, as well as the names of the company’s owners, Menahem Golan and Yoram Globus – two movie-obsessed Israeli cousins who set out to be bigger than Hollywood and ended up changing the way movies were made and marketed forever.
Throughout the decade, Golan and Globus – aka the Go-Go Boys – churned out some outrageously schlocky fare that ended up on the shelves of VHS rental shops everywhere, including Sylvester Stallone’s lame arm-wrestling flick Over The Top, the Lawrence of Arabia meets The Great Race rip-off Sahara with Brooke Shields, the Mount Everest of bad musicals, The Apple, and the cut price Superman IV: The Quest for Peace, which featured a Chippendales dancer as the bad guy. They also introduced ninjas into pop culture – courtesy of Franco Nero – turned Chuck Norris and Jean-Claude Van Damme into action heroes, and brought two pastel shades of breakdancing to the big screen – hence the title, Electric Boogaloo.
For me, I will never, forget their foray into sci-fi and horror, especially 1985’s Lifeforce (1985) and the creaky 1983 comedy House of the Long Shadows, which famously teamed Vincent Price, Peter Cushing and Christopher Lee. Back in the day, they were grave disappointments. Today, however, they are cult favourites – and so are alot of films in Cannon’s back catalogue.
For his latest delvings into cinema’s weirder side, Aussie film nut Mark Hartley’s crams in as many excerpts from Cannon’s back catalogue as he can, and interviews a roll-call of names who worked on the howlers, including Elliott Gould, Dolph Lundgren, Bo Derek and Sybil Danning, and their recollections provide a fascinating, hilarious – and at times vitriolic – portrait of the fiery Golan and the shrewd Globus, who, despite their flaws, certainly put their mark on pop culture.
Your head might spin at Hartley’s fast-cut editing as many of the same anecdotes about how G& G were tasteless, misguided and out of touch are all told by multiple interviewees. One that had me in stitches is Golan pitching a role directly to Manis the orang-utan (Clint Eastwood’s sidekick Clyde in Every Which Way But Loose). But despite labelling them as junk peddlers and names far worse – all of the interviewees agree on one thing – that the brash pair loved cinema more than anything.
As outlaws working against a Hollywood that ostracised them, they came, they conquered (briefly), and they crashed spectacularly. Along the way, they gave moviegoers some truly memorable B-movie cinema moments. But for all the awful Death Wish sequels, Indiana Jones rip-offs, and bargain bin stinkers, they also had the odd flicker of artistic integrity when they gave the likes of Barbet Schroeder (Barfly), John Cassavetes (Love Streams) and Andrei Konchalovsky (Runaway Train) their chance to shine, and Franco Zeffirelli the opportunity to make his 1986 opera musical masterpiece, Otello.
Electric Boogaloo: The Wild Untold Story of Cannon Films is available to stream from Metrodome and BFI Player, and screens in selected UK cinemas, while the UK home entertainment release is scheduled for 13 July
In Hockney, on BBC2 HD at 9pm today (Saturday 14 March), the renowned and prolific artist David Hockney gives viewers a rare and frank insight into his life. To coincide with the premiere screening of the documentary film, here’s a look back at the 1974 arthouse biopic, A Bigger Splash.
Back in 2012, the BFI released a restored version of Jack Hazan‘s celebrated 1974 docu-drama, A Bigger Splash which celebrated the life, work and vision of David Hockney. Named after the Bradford-born artist’s famous 1967 painting of the same name, this documentary-cum-art school experimental ode is a very personal film, with Hazan (who also lensed the 1980’s documentary Rude Boy with British punk rockers, The Clash – which is also getting a restored Blu-ray/DVD release in April) gaining intimate access to the artist and his entourage, including designers Celia Birtwell and Ossie Clark, at a time when Hockney was at his height.
While the film does ramble on as Hockney muses over his breaking up with his former lover, artist Peter Schlesinger (who is filmed, but never speaks), it excels at recreating some of Hockney’s most famous paintings like Mr and Mrs Clark and Percy – in which Ossie Clark takes his cat to view the work at the Tate Gallery. But my favourite scene is a recreation of the painting below (the name of which escapes me) which comes off like a surreal dreamlike fantasy (and the Blu-ray transfer makes it even more sublime).
But it’s Hockney’s LA paintings that take centre stage with Hazan’s camera lingering over a group of young men with foppish good-looks frolicking poolside. If the sight of naked men doesn’t float your boat, then ‘be prepared’ as the film is quite explicit with its full frontal nudity – even Hockney bares all in one scene. However, if you’re interests do rise above the navel, and you want to revisit an era when the bright young things of the London art scene were just beginning to break out of the closet of conformity, then this is a totally mesmerising nostalgia piece.
Included on the BFI release are two rare films, 1966’s Love’s Presentation (a wonderful account of the etching process – view a clip here) and Portrait of David Hockney (1972).
A Bigger Splash is available in a dual format edition (Blu-ray/DVD) through the BFI (click here to order)[youtube:http://www.youtube.com/watch?v=m2sEkXKxQs8%5D