When the sorority sisters of Alpha Upsilon and their hunky tech help decide to go ‘green’ and use an old well as their water source at their new rented desert property, Townie Ozzie (Mark Holton) unwittingly awakens the leprechaun who, 25 years before, was seeking out a pot of gold. Now, the pint-sized wise-cracker (Channel Zero’s Linden Porco) embarks on a killing spree in order to achieve his treasure…
This is the eighth entry in the horror franchise, that started back in 1993 (with Warwick Davis playing the lead role over six films). It also serves as a direct sequel to the original with Mark Holton reprising his role as dim-witted Ozzie.
Directed by Steven Kostanski (part of the Canadian Astron-6 team, who were behind Manborg, Father’s Day and The Void), this is a horror tickbox cackle-fest, boasting some quotable one-liners and some inventive death scenes – watch out for the solar slicer, the sprinkler silencer and drone decapitator.
Leprechaun Returns is released by Lionsgate on all digital platforms from 11 December, including:
- Sky Store
- Google Play
- Virgin Movies (TVOD Only)
- Talk Talk
- Sony PlayStation
- Rakuten TV
- Chili TV
iTunes Exclusive Special Features:
• Going Green with director Steven Kostanski Behind the Scenes
• Still Gallery
This semi-sequel/remake of Herschell Gordon Lewis’ Blood Feast (1963) was written by Michael Sonye (aka Haunted Garage’s Dukey Flyswatter) and directed by Jackie Kong. It follows two weirdo brothers Michael (Rick Burks) and George (Carl Crew) and the reanimated brain of their serial killer uncle Anwar (Drew Godderis) as they attempt to resurrect an ancient Lumerian goddess, Sheetar, using the body parts of immoral young women and the sacrifice of a virgin to awaken Sheetar’s powers…
Given only a limited release back in 1987, Blood Diner’s cult reputation has grown over the years. Now, I do remember seeing it lurking in VHS bargain bins back in the day, but I never saw it until now as it’s been dusted off and given a HD Blu-ray makeover as part of Lionsgate’s Vestron Video re-issues – and I must say Blood Diner certainly belongs in the ‘it’s so-bad it’s good’ section of my cult film library.
The music is a bizarre mix of dire synth score, 1960s soul and mambo; while the acting (featuring the worst accents ever) is abysmal, but it’s all shot with such energy and OTT garishness – just like the Troma films of the day – that I’ve actually gone back for a second helping.
Featuring hilarious gross-out sequences and lots of blood, gore, cartoon violence and projectile vomiting, Blood Diner is one seriously insane ride. It also boasts the kind of way-out characters you’d expect from an early John Waters movie, including a burger bar owner whose ventriloquist dummy does all the talking, an obese food critic, a manic archaeologist, and that talking brain in glass jar.
Naked female flesh – and their entrails – are high on the menu alongside some quite nasty acts of violence against women and misogynist humour like ‘Every heard of battered girlfriends?’, which made me question whether the film’s female director was making some kind of a statement or not? There’s also some broad swipes against health food fanatics and the homeless which border on being just a little too unkind.
Filling out the running time is a unnecessary wrestling match involving an Ayran bloke wearing a Hitler moustache and Nazi insignia, while the film’s big set piece is the ‘blood buffet’ where Sheetah, now resurrected, and sporting what looks like a man-eating vagina with teeth in place of her stomach, causes complete mayhem.
Given the cult status that Troma’s Toxic Avenger has acquired over the years, this insane 1980s horror comedy is certainly in the same league. And now that its been restored and remastered – you never know, we might just see a stage musical adaptation one day soon. I know I’d pay to see that (just minus the misogyny).
Blood Diner is released through Lionsgate Home Entertainment UK, and includes the following special features:
• Audio commentary with director Jackie Kong
• Six Blood Diner featurettes: Queen Kong; The Cook, The Uncle, and The Detective; Open for Business; Scoring for Sheetar; You Are What They Eat!
• Archive interview with project consultant Eric Caidin
• Trailer, TV Sports and Still Gallery
A staple of VHS rentals in the late-1980’s and early 1990’s – when horror films were becoming increasingly self-reverential thanks to the likes of An American Werewolf in London (1981) and Fright Night (1985) – Waxwork was the directorial debut of Anthony Hickox, the son of Theatre of Blood director Douglas Hickox, and is his love-letter to Universal’s classic monsters as well as contemporary horror icons by way of 1953’s House of Wax.
Gremlins star Zach Galligan is rich douche Mark who is forced to man-up when his high-school pals start disappearing after visiting a waxworks museum that has bizarrely just opened up in an old mansion in their swanky LA neighbourhood.
Run by the mysterious Mr Lincoln (David Warner, dressed like a ’66 Batman villain) and his vertically-challenged assistants, the mansion is a front for their diabolical plan to collect the last remaining souls they need to bring life to 18 effigies of ‘the most evil souls who ever lived’ in order to raise the dead and bring about the end of the world.
After three friends step over the ropes of the exhibits and find themselves at the mercy of a werewolf, Dracula and the Phantom of the Opera, while a chain-smoking detective (Charles McCaughan) has a live burial date with The Mummy, Mark and another of the gang Sarah (Deborah Foreman) discover a link between Mr Lincoln and Mark’s late grandfather – who was fascinated by death and horror.
They then seek out Patrick Macnee’s wheelchair bound Sir Wilfred, a friend of the family, who reveals Lincoln’s diabolical plan. But when Mark and Sarah set out to stop Lincoln, Mark finds himself trapped in a Romero-esque zombie graveyard while Sarah is lured into the Marquis de Sade’s sex stable….
Waxwork certainly ticks lots of boxes. It’s very gory, with great physical effects of heads being ripped off, crushed and exploding, and one particularly gross out scene of a human leg being gorged on as though it were a shoulder of Serrano ham.
It’s got great visual style, with nods to EC Comics and Mario Bava’s colour palette; and packed with little in jokes (I particularly liked the references Vincent’s Price Henry Jarrod in House of Wax: indeed the idea of using real people as waxworks is lifted straight from that classic horror). Even the synth score (always the letdown of movies of this era) from Emmy-nominated composer, Roger Bellon is pretty darn effective.
All-in-all it’s tremendous fun, and now that Lionsgate have resurrected it from the Vestron archives and given it a re-mastered restoration it is well worth a revisit – just mind you don’t step over those ropes.
Film location fans might like to know that Mark’s house (aka the Higgins-Verbeck-Hirsch Mansion in Wiltshire) was also used in William Castle’s The Night Walker, as well as Willard and Ben, and Witchboard.
• Audio commentary with Anthony Hickox and Zach Galligan (after listening to this, I really would like to hang out with these guys).
• The Waxwork Chronicles featurette (This leans quite heavily on the sequel, which I now so want to see. To bad it wasn’t released here as a double bill like in the US).
• The Making of Waxwork (This 30-minute archive featurette is narrated by Patrick Macnee – yeah!!!!)
• Theatrical trailer
• Still gallery
Waxwork is distributed by Lionsgate Home Entertainment UK as part of the Vestron Video Collector’s Series
DID YOU KNOW?
The evil souls collected for Waxwork exhibition are:
• The Marquis de Sade
• The Werewolf
• Count Dracula, his son and the Brides of Dracula
• The Phantom of the Opera
• The Mummy
• A zombie
• Frankenstein’s monster
• Jack the Ripper
• The Invisible Man
• A voodoo priest
• A witch
• A snakeman
• Pods from Invasion of the Body Snatchers
• Rosemary and her Demonic Baby
• An axe murderer
• A multi-eyed alien
• Audrey from Little Shop of Horrors
• Dr. Jekyll and Mr. Hyde