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The Haunted House of Horror | Fancy a seance and an orgy with Frankie Avalon? Well you’ve got the wrong address!

At a ‘swinging’ London party, a group of bored teenagers decide they want a new ‘experience’, so Richard (Julian Barnes) suggests they head to a deserted mansion where an infamous murder took place. But during their ‘ghost hunt’, one of their number ends up brutally stabbed to death. Hiding the body, the gang decide not to tell the police, which turns out to be a really bad move. As guilt gets the better of them, they decide the only solution is to return to the scene of the crime…

Oh dear! This dated 1960s Tigon/AIP horror is embarrassingly bad, yet bizarrely enjoyable for its kitsch value. Beach Party‘s Frankie Avalon swaps his shorts and surfboard for some Carnaby Street clobber as the jaded group’s nominal leader. But he looks way older than his character should be, and practically dials in his performance. But he’s certainly not as stiff as Dennis Price (a last minute replacement for an ailing Boris Karloff), whose police inspector does little more than take phone calls. Among the dolly birds and male model supporting cast are future sitcom stars Richard O’Sullivan and Robin Stewart, pop singer Mark Wynter, and actress Jill Haworth (who ended up in Tower of Evil and The Mutations).

For fans of vintage British horror, you either love or hate this deeply-flawed attempt by Tigon to craft what is probably the UK’s first teen slasher, and its production history is certainly way more interesting than the film itself. Originally called The Dark, it was based on an original screenplay by 23-year-old Michael Armstrong, who also got to direct until he was removed by Tigon’s AIP co-producers, who demanded cuts, script changes and reshoots, to the point that the finished product looked nothing like what Armstrong had originally intended (he want to make a satire on the youth scene). Hence why George Sewell’s scenes look like they come from another movie. They were added to make up the running time after big cuts were made, which got rid of a homosexual subplot and other more interesting elements.

The restoration, however, is impressive as it really highlights the effective camerawork and lighting, particularly so in the mansion scenes (shot on location at the Birkdale Palace Hotel in Southport, but using sets constructed to look battered and aged). There’s so much more detail now and the colours really pop (especially in the cast’s trendy attire). Check out the clip below about the restoration work (But BIG spoiler alert! The killer is revealed).

While the film ended up generating good returns (especially when it was released in the US as Horror House on a double-bill with Crimson Cult – aka Curse of the Crimson Cult) it’s a real pity its a dog’s dinner of a thriller. But one can only imagine how it could have turned out had Armstrong had achieved his original concept with his dream cast of David Bowie, Scott Walker, Ian Ogilvy and Jane Merrow. If you want to read Armstrong’s original screenplay for The Dark, you purchase it from Paper Dragon Productions for £13.99. Just click on the link.

The Haunted House of Horror is available on Blu-ray in the UK from Screenbound

SPECIAL FEATURES
• Commentary and a new interview with director Michael Armstrong
• Interview clips with Michael Armstrong, actors Mark Wynter, Carol Dilworth and Veronica Doran; plus hair stylist Ross Carver, camera operator James Devis, production secretary Jeanette Ferber, dubbing editor Howard Lanning and editor Peter Pitt.

Mark of the Devil (1970) | Barf bags at the ready again as the sick cult horror gets an uncut HD UK release

Mark of the Devil (1970)

Once proclaimed as ‘positively the most horrifying film ever made’, 1970 cult shocker Mark of the Devil finally arrives uncut in the UK on 29 September 2014.

WE MUST NEVER WEAKEN IN PERFORMING GOD’S WORK
A bloody and brutal critique of 18th-century religious corruption, Mark of the Devil sees horror icon Udo Kier play an apprentice witchfinder whose faith in his master Lord Cumberland (Herbert Lom) becomes severely tested when they settle in an Austrian village. Presided over by the sadistic Albino (a memorably nasty turn from Reggie Nalder), the film presents its morality not so much in shades of grey as shades of black.

Mark of the Devil (1970)

LIKELY TO UPSET YOUR STOMACH
This notorious 1970 Euro-shocker, which was made to cash in on the success of Michael’s Reeves’ Witchfinder General, was British director Michael Armstrong‘s second feature and the film that established his international cult status. The film also had a great gimmick, getting cinemas to employ medical staff to handle fainting patrons and handing out vomit bags (they’re quite the collector’s item now).

Smashing box office records wherever it played, Mark of the Devil was a big hit despite it being either banned outright or heavily cut in many countries including the UK. Now acknowledged as a genre masterpiece, British audiences can once again revel in its vileness as Arrow Video presents Armstrong’s horror classic fully uncut in goretastic HD, alongside a selection of fantastic extras.

Mark of the Devil (1970)

THE DUAL FORMAT UK RELEASE
• High Definition Blu-ray (1080p) and Standard Definition DVD presentation of the feature, transferred from original film elements in its original 1.66:1.
• Optional English and German audio (a real bonus)
• Optional English subtitles
• Newly-translated English subtitles for the German audio
• Audio commentary by Michael Armstrong, moderated by Calum Waddell
Mark of the Times: Documentary on the ‘new wave’ of British horror directors that surfaced in the 1960s and 1970s, featuring contributions from Michael Armstrong, Norman J Warren (Terror) and David McGillivray (Frightmare)
Hallmark of the Devil: Michael Gingold uncovers the history of controversial film distributors Hallmark Releasing
• Interviews with composer Michael Holm and actors Udo Kier, Herbert Fux, Gaby Fuchs, Ingeborg Schöner and Herbert Lom
Mark of the Devil: Now and Then – a look at the film’s locations
• Outtakes
• Gallery
• Reversible sleeve featuring original artwork by Graham Humphreys
• Illustrated collector’s booklet

 

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