Having learned his trade from the likes of Joe D’Amato, Dario Argento and Terry Gilliam, Milan-born film-maker Michele Soavi went on to direct a quartet of Italian horrors in the late 1980s and early 1990s that have their fans and their critics.
1987’s Stage Fright was a well-executed slasher that paid homage to Argento; 1989’s supernatural shocker The Church looked great, but was a bit of a bore; 1991’s The Sect revisited Rosemary’s Baby theme with trippy results, and 1994’s Cemetery Man aka Dellamorte Dellamore combined black comedy and horror to great effect that it became the director’s finest hour.
Given Shameless’ lovingly-restored, re-mastered release of The Sect (which follows their release of The Church last year and Dellamorte Dellamore back in 2012), I thought it ripe to pay Soavi’s underrated horror a revisit…
Kelly Curtis (daughter of Tony Curtis and Janet Leigh, and sister to Jamie Lee) plays American schoolteacher Miriam based in Frankfurt, where a satanic cult is making headlines for a series of grisly murders being carried out across the German city.
When she knocks over the elderly Moebius (Herbert Lom), she takes him home to recuperate. But her good deed results in her being drugged with some ominous-looking fluid.
Kelly then finds herself in a waking nightmare involving a dark well and a giant demonic bird that are all linked to the Charles Manson-like cult leader Damon (Thomas Arana) – who is seen in the film’s 1970’s-set prologue in which he is promised a child born from the seed of Lucifer himself…
The Sect is certainly as imaginative as Soavi’s other features, and it benefits from some surreal visuals and hazy cinematography (by Raffaele Mertes who’d go on to do Argento’s Trauma), as well as another cool score from Pino Donaggio (Don’t Look Now, Carrie, The Howling), and, as you follow Kelly’s modern-day Alice down the rabbit hole, the film plays like a really weird acid trip – which is made all the more insane by the runaway script (in which Argento had a hand in writing).
Rosemary’s Baby and The Omen are certainly major influences, both in regards to the storyline and the themes (the Satanic Panic phenomenon was in full swing when this film was made), but Soavi does conjure up the odd cool ideas – like the demonic bird. In the end, however, it’s the score and those visuals that help paper over the cracks, while Curtis makes for an engaging heroine.
For me, however, the big highlight was Herbert Lom. Hearing his elegant gravelled tones and seeing him give a really honest and restrained performance as the mysterious Moebious was a real treat, and it was great to see him back in the genre that knew him best one last time (he retired after 1993’s Son of the Pink Panther).
THE SHAMELESS UK RELEASE
The new UK Blu-ray and DVD release from Shameless features a new 2K scan from the original negative with a running time of 117-min. It also includes the original English language audio, as well as Italian in stereo LPCM or 5.1 audio with new English subtitles.
The main extra here is Beauty and Terror, a 29-minute interview with director Michele Soavi, who discusses his association with Lucio Fulci and Joe D’Amato and the making of The Sect. Also included are trailers for The Church, Dellamorte Dellamore, and Four Flies on Grey Velvet.
In the US, Scorpion Releasing are scheduled to release The Sect along with The Church later this year.