The Witch | The last 30-minutes of this South Korean sci-fi blockbuster is a blood-drenched assault on the senses
10 years ago, Koo Ja-yoon (Kim Da-mi) escaped from a medical facility during an incident and her memory. Now an unusually bright high school student, the farmer’s daughter enters a TV talent show which makes her a target to those who want her back. But she responds with a terrifying transformation from innocent girl into cold-blooded super killer!
Like Stranger Things, Orphan Black and its like, this South Korean sci-fi (aka Manyeo) deals with an amnesiac with latent genetically-engineered/mutant powers. Yep, we’ve seen it all before, and this one – from writer/director Park Hoon-jung – is a bit of a mixed bag. It starts off pretty slow, with some family domestics, but then comes the jaw-dropping finale – a blood-drenched assault on your senses that’s best experienced on the biggest screen possible and with a really good sound system (just to hear those bones cracking).
Kim Da-mi shines in the title role, but my favourite was Jo Min-soo as Ja-yoon’s ‘creator/mother’, Dr Baek. Channelling Joan Crawford’s mothering skills, her Dr Frankenstein-like brain surgeon is one crazy bitch indeed! One mystery I’d like solved, however, is why her superhuman children are referred to as ‘witches’. There’s no obvious explanation. Or did I miss it?
The Witch did soaring business in its native South Korea, while its full title (Part 1 – The Subversion) hints at more adventures to come. I’d be up for that – if only to get an answer to my question!
The Witch is out now on Digital HD from Signature Entertainment