Blood from the Mummy’s Tomb (1971) | The Hammer Horror that turned Valerie Leon into a legendary scream queen
After locating the tomb of Tera, Queen of Darkness in the Egyptian desert, archaeologist Julian Fuchs (Andrew Keir) returns to England with her mummy and sarcophagus where he secretly recreates her tomb under his house. But when he gives Tera’s ruby ring to his daughter Margaret (Valerie Leon), the ancient queen’s evil power tempts the young woman into helping her father’s rival, Corbeck (James Villiers), into restoring her to human form…
Based on Bram Stoker’s 1903 adventure novel The Jewel of the Seven Star, this supernatural shocker breathed sexy new life into the old mummy’s revenge plot and has become a enduring favourite amongst Hammer horror fans. It was also the fourth and last time that the company resurrected the ancient Egyptian avenger to join their stable of monsters.
The first, The Mummy, in 1959, saw a bandaged Christopher Lee crashing about Bray Studios; the second, 1964’s The Curse of the Mummy’s Tomb, found Dickie Owen shuffling about Elstree; and the third, 1967’s The Mummy’s Shroud, meant a return to Bray, where Eddie Powell pulled on the swaddling to take out members of an expedition team.
For Blood, their final Mummy film, Hammer ditched the bandages and got the tall, buxom Carry On actress Valerie Leon to play (rather brilliantly, I might add) the dual roles of Egyptian queen of darkness and professor’s daughter. She’s the best thing about the film, which has one bizarre piece of plotting: the recreation of a tomb in the cellar of a suburban North London house. Now, who constructs something like that without getting any attention from nosey neighbours or the council? Only in Hammer’s fanciful Home Counties horror universe could it exist.
Keir (who was my favourite Bernard Quatermass in Hammer’s Quatermass and the Pit) does a stalwart job playing the obsessed Fuchs, a role that was originally intended for Peter Cushing. He had to leave the production after one day’s filming to care for his ailing wife, Helen (who died on 14 January 1971). And the seemingly cursed production had another setback five weeks into the six-week shoot at Elstree when the director, Seth Holt, had a fatal heart attack, which forced Michael Carreras into completing the movie.
Blood from the Mummy’s Tomb was released in October 1971 as a support feature to Dr. Jekyll and Sister Hyde, and now is available on Doubleplay (DVD & Blu-ray) from Studiocanal, newly restored in HD, as part of their Hammer Horror Collection. It looks and sounds superb on Blu-ray, even if it does show up how fake those sets look; but the liberal use of Kensington gore is a vivid treat for horror-hounds. Oh, and Leon looks just stunning.
The extras include a trailer and a single featurette The Pharaoh’s Curse: Inside Blood from the Mummy’s Tomb, in which a handful of Hammer experts provide insight into the film’s production, while Leon also shares her recollections.
By the way, the motion pictures soundtrack, featuring music by composer Tristam Cary (The Ladykillers, Quatermass and the Pit), was released by GDI Records back in 2002, and having find it just recently myself, it’s well worth tracking down.
Valerie Leon is a fantastic regular on the convention circuit and appears frequently at many film fairs throughout the UK, she even has her own one-woman show. Check out her official website here: http://www.valerieleon.com/
Posted on January 14, 2018, in Hammer-Amicus-Tigon and tagged 1970s Hammer horror, Andrew Keir, Blood from the Mummy's Tomb, Curse, Egypt, Studiocanal, Supernatural, Valerie Leon. Bookmark the permalink. Leave a comment.